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Benedetto Varchi, in the proemium to a lecture upon one of Michelangelo's poems, speaks of it as "a most sublime sonnet, full of that antique purity and Dantesque gravity." Dante's influence over the great artist's pictorial imagination is strongly marked in the fresco of the Last Judgment, where Charon's boat, and Minos with his twisted tail, are borrowed direct from the Inferno.
He opened the volume, paused over its blue, and scarlet initial letter, he turned page after page, admiring its brilliant characters, its broad, white marginal rivers, and the narrower white creek that separated the black-typed twin-columns, he turned back to the beginning and read the commendatory paragraph, "Nam ipsorum omnia fidgent tum correctione dignissima, tum cura imprimendo splendida ac miranda," and began reading, "Incipit proemium super apparatum decretalium...." when it suddenly occurred to him that this was not exactly doing what he had undertaken to do, and he began whisking an ancient bandanna about the ears of the venerable volume.
He opened the volume, paused over its blue, and scarlet initial letter, he turned page after page, admiring its brilliant characters, its broad, white marginal rivers, and the narrower white creek that separated the black-typed twin-columns, he turned back to the beginning and read the commendatory paragraph, "Nam ipsorum omnia fidgent tum correctione dignissima, tum cura imprimendo splendida ac miranda," and began reading, "Incipit proemium super apparatum decretalium...." when it suddenly occurred to him that this was not exactly doing what he had undertaken to do, and he began whisking an ancient bandanna about the ears of the venerable volume.
In the epic of primitive Rome the claims of art took precedence over personal creed, and so they would with any true poet; and if any critic were prosaic enough to object, Vergil might have answered with Livy: Datur haec venia antiquitati ut miscendo humana divinis primordia urbium augustiora faciat, and if the inconsistency with his philosophy were stressed he could refer to Lucretius' proemium.
This is a long proemium to the description of his characteristics as a book-hunter but these can be briefly told. Not for him were the common enjoyments and excitements of the pursuit. He cared not to add volume unto volume, and heap up the relics of the printing-press.
The work, indeed, would rather perplex than aid an investigator, and gives no proper idea of the character and richness of the language. The same may be said of the grammatical notices comprised in the Latin "Proemium" to Bruyas' Iroquois dictionary.
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