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Updated: June 6, 2025
How Harel, the managing director of the Porte-Saint-Martin, was brought to give in the same twelve-month to the rejected of the Renaissance a firm promise that anything he liked to do for that theatre should be acted is an impenetrable mystery. But then Harel himself was an oddity, and he may have felt bowels of compassion for a confrere so original.
Such women only ruin rich men." "They talk of engaging Mariette at the Opera," said Bixiou. "Don't be worried, Madame Bridau; the diplomatic body often comes to the Porte-Saint-Martin, and that handsome girl won't stay long with your son. I did hear that an ambassador was madly in love with her. By the bye, another piece of news!
Philippe shared the gay amusements of Tullia, a leading singer at the Opera, of Florentine, who took Mariette's place at the Porte-Saint-Martin, of Florine and Matifat, Coralie and Camusot.
"Well, he is happy," said his mother; "he is easy in mind; he has a place." Through the influence of a feuilleton, edited by Vernou, a friend of Bixiou, Finot, and Giroudeau, Mariette made her appearance, not at the Panorama-Dramatique but at the Porte-Saint-Martin, where she triumphed beside the famous Begrand.
Listen, my fat elephant, after dinner we will go to the play together. I am starving to see a play." It was just five years since Esther had been to a theatre. All Paris was rushing at that time to the Porte-Saint-Martin, to see one of those pieces to which the power of the actors lends a terrible expression of reality, Richard Darlington.
A few days after the Revolution, Theodore Cogniard, manager of the Porte-Saint-Martin Theater, wrote to Balzac and proposed to reproduce Vautrin. Balzac, in replying, referred to Lemaitre's toupet, and explained that, when disguising Vautrin as a Mexican general, he had in his mind General Murat.
However, in this society, I am no longer Gerfaut of the Porte-Saint-Martin, but I am the Vicomte de Gerfaut. Perhaps, with your bourgeois ideas, you do not understand " "Bourgeois!" exclaimed Marillac, bounding from his seat, "what are you talking about? Do you wish that we should cut each other's throats before breakfast to-morrow? Bourgeois! why not grocer?
Plessy, Anai's, and Augustine Brohan, is constantly with me. At the Porte-Saint-Martin were Frederic Lemaltre and Madame Dorval, startling in their poignant truthfulness and dramatic power in that terrible drama Trente Ans, oil la Vie d'un Joueur. And at the Gymnase we had Rose Cheri. If I talk so much about theatres, it must be remembered that the theatre is one of our glories.
However, in this society, I am no longer Gerfaut of the Porte-Saint-Martin, but I am the Vicomte de Gerfaut. Perhaps, with your bourgeois ideas, you do not understand " "Bourgeois!" exclaimed Marillac, bounding from his seat, "what are you talking about? Do you wish that we should cut each other's throats before breakfast to-morrow? Bourgeois! why not grocer?
The next edition of the Theatre Complet, in 1855, reinstated the prefaces. It was not until 1865 that Mercadet joined the other four in a single volume published by Mme. Houssiaux. Vautrin, a drama in five acts, was presented for the first time in the Porte-Saint-Martin theatre, March 14, 1840.
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