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Updated: June 25, 2025


In all these short stories and picaresque novels the emphasis was laid not so much on life and character as on the adventures of the hero; and the interest consisted largely in wondering what would happen next, and how the plot would end. The same method is employed in all trashy novels and it is especially the bane of many modern story-writers.

It was the Lazarillo de Tormes, the first of the Picaresque novels which struck the new note, which turned from the fantastic and conventional world of the romances in which Don Quixote had nourished his soul, and from the heroic world of beauty and grace of the dramatists, to the bare and hard reality of the life of the beggar and the vagabond.

The waiters shared their pleasant mood, and served them affectionately, and were now and then invited to join in the gay talk which babbled on over dislocated aspirates, and filled the air with a sentiment of vagabond enjoyment, of the romantic freedom of violated convention, of something Gil Blas-like, almost picaresque.

Francion is not a work of genius: and it does not pretend to much more than the usual picaresque farrago of adventure, unmoral and sometimes rather cruel, but comic of a kind, strung together with little art in fable, and less in character. But the author is to some extent "cumbered about serving."

It is quite openly a picaresque novel: and imitated not merely from the Spanish originals but from Sorel's Francion, which had appeared in France some forty years before. Yet, if we compare this latter curious book with Head's we shall see how very far behind, even with forty years' advantage in time, was the country which, in the next century, was practically to create the modern novel.

This, however, is only a comparative drawback; it is in a sense a positive merit; and it is connected, in a very intimate way, with the general character of Smollett's novel-method. This is, to a great extent, a reaction or relapse towards the picaresque style.

This new architectural model, which I have described, is after all one of the oldest European models, now neglected in Europe and especially in England. It was the theatre in which were enacted innumerable picaresque comedies and romantic plays, with figures ranging from Sancho Panza to Sam Weller.

The student of the English drama is delighted when he can seize firmly the rise and fall of the tragedy-of-blood for one example, of the comedy-of-humors for another, and of sentimental-comedy for a third; just as the investigator into the annals of fiction is pleased to be able to trace the transformations of the pastoral, of the picaresque romance, and of the later short-story.

But it is unlikely that such methods will extend beyond the larger privately owned vessels. Any attempt to revive in this way the old picaresque methods could only amount to a virtual repudiation of statutory international law, which would bring its own retribution. Moreover, for home waters at least, the conditions which favoured this picaresque warfare no longer exist.

I do not know that I should counsel others to do so, or that the general reader would find his account in it, but I am sure that the intending author of American fiction would do well to study the Spanish picaresque novels; for in their simplicity of design he will find one of the best forms for an American story.

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