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Updated: June 28, 2025


The languid young man, Orazio Franchi, supported by a stick, is at this moment ascending the steps. To see him drag one leg after the other, one would think his days were numbered. Not at all. Franchi is strong and healthy, but he cultivates languor as an accomplishment. Everybody at Lucca is idle, but nobody is languid, so Franchi has thought fit to adopt that line of distinction.

"That is quite possible," continued Orazio, with a cynical smile. "To tell you the truth, I did not think you had heard it. It only happened half an hour ago." "What happened?" asked Count Orsetti. "A secret commission has been sent from Rome." There was a breathless silence. "The government is alarmed. A secret commission to examine Count Marescotti's papers, and to imprison him."

There was no longer any doubt as to the intention of his Holiness toward the rebellious spirit of the Most Serene Republic; the Ambassade Extraordinary which had been appointed to convey to the Holy See the dutiful congratulations of her devoted Venetian sons, on the accession of Paul V, had few amenities to report in those lengthy dispatches to which the Senate listened with a dignity which disdained to show the least outward trace of irritation or forgetfulness, in a presence so exasperating as that of the Papal Nuncio, Orazio Mattei.

In the other scene, beside the last-named, the same Pope is giving the General's baton to Pier Luigi and his sons, who were not yet Cardinals; with portraits of the Pope, Pier Luigi Farnese, the Camarlingo, Duke Ottavio, Orazio, the Cardinal of Capua, Simonetta, Jacobaccio, San Jacopo, Ferrara, Signor Ranuccio Farnese as a young man, Giovio, Molza, Marcello Cervini, who afterwards became Pope, the Marquis of Marignano, Signor Giovan Battista Castaldo, Signor Alessandro Vitelli, and Signor Giovan Battista Savelli.

Daniello had brought with him, when he first came from Rome to Florence, a young disciple of his own called Orazio Pianetti, a talented and very gentle youth; but no sooner had he arrived in Florence, whatever may have been the reason, than he died.

Elizabeth's time, like our own, was distinguished by new fashionable colors, among which are mentioned a queer greenish-yellow, a pease-porridge-tawny, a popinjay of blue, a lusty gallant, and the "devil in the hedge." These may be favorites still, for aught I know. Mr. Furnivall quotes a description of a costume of the period, from the manuscript of Orazio Busino's "Anglipotrida."

"What news have you heard?" asked Beppo Malatesta. "There's such a lot." "Wall, the news I have heard is, that Count Nobili is engaged to marry the Marchesa Guinigi's little niece. Dear little thing, they say like an English 'mees' fair, with red hair." "Is that your style of beauty?" lisped Orazio, looking hard at him. But Ruspoli did not notice him. "But that's not half," cried Malatesta.

It was in fact only in the household of Orazio Vivaldi that Odo found the simplicity and grace of living for which he longed. Alfieri had warned him not to visit the Professor too often, since the latter, being under observation, might be compromised by the assiduity of his friends.

Orazio Vecellio, despatched by his father in the spring of 1559 to Milan to receive the arrears of pension, accepted the hospitality of the sculptor Leone Leoni, who was then living in splendid style in a palace which he had built and adorned for himself in the Lombard city.

"The cavaliere is not yet returned." "This is a strange story," said Orsetti, gravely. "Nobili too, and Marescotti. She must be a lively damsel. What will Nera Boccarini say to her truant knight, who rescues maidens accidentally on distant mountains? What had Nobili to do in the Garfagnana?" "Ask him," lisped Orazio; "it will save more talking.

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