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You have read "Quintilian," the best book in the world to form an orator; pray read 'Cicero de Oratore', the best book in the world to finish one. Translate and retranslate from and to Latin, Greek, and English; make yourself a pure and elegant English style: it requires nothing but application.
These words are so charming in their rhythm that I will not rob them of their beauty by a translation. The setting sun requires me also to go to rest: that is their simple meaning. At the end of the book he introduces a compliment to Hortensius, who during his life had been his great rival, and who was still living when the De Oratore was written.
It was, as he informs us in its proem, drawn up from memory on his voyage from Italy to Greece, soon after Cæsar's murder, and in compliance with the wishes of Trebatius, who had some time before urged him to undertake the translation. Cicero seems to have intended his De Oratore, De claris Oratoribus, and Orator, to form one complete system.
A long experience had made the sense of the stage a second nature to Aristophanes who here criticises two rival schools of poetry as a dramatist possessed of inside professional knowledge. So far his work is of the same class as Cicero's De Oratore and Reynolds' Discourses.
The De Oratore was so complete a masterpiece that its author probably did not care to weaken its effect by continuing at the time to bring out any of the supplementary treatises on Roman oratory for which his library, and still more his memory, had accumulated immense quantities of material.
I thus became thoroughly perplexed on the subject, and promised myself the best results from a lecture of Ernesti's on "Cicero de Oratore." I learned something, indeed, from this lecture, but was not enlightened on the subject which particularly concerned me.
Cicero, in his book 'De Oratore', in order to raise the dignity of that profession which he well knew himself to be at the head of, asserts that a complete orator must be a complete everything, lawyer, philosopher, divine, etc.
From this point to the outbreak of the Civil war in 50 B.C., the third period continues the record of his great speeches; but they are no longer at the old height, nor do they occupy his full energy; and now he breaks new ground in two fields with works of extraordinary brilliance, the De Oratore and the De Republica.
Cicero seems to have held the first place in his affections, six volumes out of forty-two; the Orations, the Epistles, de Finibus and de Oratore, the two last being duplicated. History is well represented with Livy, Suetonius, Josephus, Plutarch, Polybius, and Dionysius of Halicarnassus; the last four in translations.
The De Oratore was written when the author was fifty-two, two years after his return from exile; and is a dialogue between some of the most illustrious Romans of the preceding age on the subject of oratory. The principal speakers are the orators Crassus and Antonius, who are represented unfolding the principles of their art to Sulpicius and Cotta, young men just rising in the legal profession.
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