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Updated: June 17, 2025
They had conversed for a quarter of an hour when the sound of a bell gave notice that dinner was served. Count Kostia conducted Gilbert to the dining-room. It was an immense vaulted apartment, wainscoted in black oak, and lighted by three small ogive windows, looking out upon the terrace. The arches of the ceiling were covered with old apocalyptic paintings, which time had molded and scaled off.
Above this straight line of walls, broken here and there by a tower or the pointed ogive of a door, rise the roofs of the houses with their open garret-windows, their gyrating weather-cocks, and their red chimneys from which issue spirals of bluish smoke that vanishes in the air.
The ogive is, perhaps, very ancient; and authors dispute as to the anteriority of the Romanesque to the Gothic. This want of certainty disappointed them. After the churches they studied fortresses those of Domfront and Falaise.
"The Oriental ogive appears.... The architects heap arcade on arcade, ogive on ogive, pyramid on pyramid, and give to all geometrical symmetry and artistic grace.... The Greek column is there, but dilated to colossal proportions, and exfoliated in a variegated capital." The old Roman arch disappears, and the pointed arch is substituted, graceful and elevated.
The last of these edifices, the Campo-Santo, is a cemetery, the soil of which, brought from Palestine, is holy ground. Four high walls of polished marble surround it with their white and crowded panels. Inside, a square gallery forms a promenade opening into the court through arcades trellised with ogive windows.
Whether one enters through the dark magnificence of the great portals of the Chatelet; whether one mounts the fortified stairway, passing into the Salle des Gardes, passing onward from dungeon to fortified bridge, to gain the abbatial residence; whether one leaves the vaulted splendor of oratories for aerial passage-ways, only to emerge beneath the majestic roof of the Cathedral that marvel of the early Norman, ending in the Gothic choir of the fifteenth century; or, as one penetrates into the gloom of the mighty dungeons where heroes and the brothers of kings, and saints and scientists have died their long death as one gropes through the black night of the Crypt, where a faint, mysterious glint of light falls aslant the mystical face of the Black Virgin; as one climbs to the light beneath the ogive arches of the Aumonerie, through the wide-lit aisles of the Salle des Chevaliers, past the slender Gothic columns of the Refectory, up at last to the crowning glory of all the glories of La Merveille, to the exquisitely beautiful colonnades of the open Cloister the impressions and emotions excited by these ecclesiastical and military masterpieces are ever the same, however many times one may pass them in review.
Whether one enters through the dark magnificence of the great portals of the Châtelet; whether one mounts the fortified stairway, passing into the Salle des Gardes, passing onward from dungeon to fortified bridge to gain the abbatial residence; whether one leaves the vaulted splendor of oratories for aërial passageways, only to emerge beneath the majestic roof of the Cathedral that marvel of the Early Norman, ending in the Gothic choir of the fifteenth century; or, as one penetrates into the gloom of the mighty dungeons where heroes, and brothers of kings, and saints, and scientists have died their long death as one gropes through the black night of the crypt, where a faint, mysterious glint of light falls aslant the mystical face of the Black Virgin; as one climbs to the light beneath the ogive arches of the Aumônerie, through the wide-lit aisles of the Salle des Chevaliers, past the slender Gothic columns of the Refectory, up at last to the crowning glory of all the glories of La Merveille, to the exquisitely beautiful colonnades of the open Cloister the impressions and emotions excited by these ecclesiastical and military masterpieces are ever the same, however many times one may pass them in review.
They admired Palazzo Publico within and without; chiefly from without, for they could never walk from the Cathedral to their hotel without pausing for a time to look down into the picturesque Piazza del Campo where it stands, and admire its lofty walls, so mediæval in character, with battlemented cornice and ogive windows. They walked down the narrow streets and then climbed them.
A small river flows lazily through it under the shade of alder-bushes, dividing two strips of meadows as fine and velvety as the lawns of a park; it is crossed over by an old bridge with a single arch, which reflects in the placid water the outlines of its graceful ogive.
We spied a hovel with a Gothic portal; further on was an old wall with an ogive door; a leafless bush swayed there in the breeze. In the courtyard the ground is covered with heather, violets, and pebbles; you walk in, look around and go out again. This place is called "The temple of the false gods," and used to be, it is thought, a commandery of Templars.
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