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All the feminine saints had one type of feature. There were large nimbi and small nimbi about their drooping heads, but the face was always the same. That profile how well Knight knew that profile! Had there been but one specimen of the familiar countenance, he might have passed over the resemblance as accidental; but a repetition meant more.

In the mosaic representing the tender of privileges the nimbi as already stated are new, but besides, the lower part of all the figures is repainted in stucco and the heads are all more or less repaired. Of the figures in the arch that of the archangel Gabriel is half ruined and half restored, and part of S. Matthew and S. Luke are new."

The gilding of the nimbi seemed well done certainly, and was still bright, but to the ordinary eye the stiffness of the figures, the lack of grace, the absence of soul in the composition was distressingly apparent. It was, however, the squire's hobby, and it must be admitted that he had very high authority upon his side.

There is a vast dome, filled with a florid concave fresco of tumbling foreshortened angels, and all over the ceilings and cornices a wonderful outlay of dusky gildings and mouldings. There are various Bernini saints and seraphs in stucco-sculpture, astride of the tablets and door- tops, backing against their rusty machinery of coppery <i>nimbi</i> and egg-shaped cloudlets.

On the other is the Labarum monogram with ornamental terminations on a hill from which the four Paradise streams flow; a stag on either side kneels to drink. On the cover stands a saint, on the four Paradise streams, between two lighted tapers in candlesticks, holding a crown; whilst the hand of God holds another over his head. There are no nimbi.

The early mornings were bright with views northwards of blue sky and Kinchinjhow, while to the south the lofty peak of Tukcham, though much nearer, was seldom seen, and black cumuli and nimbi rolled up the steep valley of the Lachen to be dissipated in mist over Tallum.

Household gods were there, and the objects of personal devotion: Minerva or Vesta, with handsome niches or shrines in which they might reside. There, too, were the brass crowns, or nimbi which were intended to protect the heads of the gods from bats and birds. There you might buy, were you a heathen, rings with heads on them of Jupiter, Mars, the Sun, Serapis, and above all Astarte.

A panel of S. Gregory, with low mitre, and inscription in Lombardic letters, holding a dragon-headed crozier, and with his bird at the other side, has a stamped border of thirteenth-century character; and a fine relief of the Madonna and Child, with decorated nimbi upon a ground which has once been blue enamel, has a gabled top with a border of relics in roundels with jewels in the interstices.

And all came with nimbi and aureoles and gloriae, bearing palms and harps and swords and olive crowns, in robes whereon were woven the blessed symbols of their efficacies, inkhorns, arrows, loaves, cruses, fetters, axes, trees, bridges, babes in a bathtub, shells, wallets, shears, keys, dragons, lilies, buckshot, beards, hogs, lamps, bellows, beehives, soupladles, stars, snakes, anvils, boxes of vaseline, bells, crutches, forceps, stags' horns, watertight boots, hawks, millstones, eyes on a dish, wax candles, aspergills, unicorns.

The pulpit is of stone; beneath shell-headed niches on the front stand figures of SS. Catherine of Siena, Dominic, Thomas Aquinas, and Peter Martyr. They and their emblems are painted; the nimbi and the ribs of the shells are gilded. Across the west end of the nave is a fine early Renaissance triple arch which was once the architectural setting to three altars on the north side of the church.