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He sprinkled Naiyenesgony with corn pollen, passing it up the right arm over the head and down the left arm to the hand. He placed the black tube in the palm, of the left hand of the god, the priest chanting all the while a prayer. The red tube was given with the same ceremony to Tobaidischinni, and the blue tube with the same ceremony to Ahsonnutli.
The song priest placed a small wreath of the pine on the sick man’s head, and holding in his left hand a bunch of eagle plumes, and in his right hand a rattle, he sang the ten songs and prayers, assisted by the choir, that were given by Naiyenesgony and Tobaidischinni to the Navajo to bring health and good fortune.
Naiyenesgony carried in his right hand a large lava celt which was painted white. Tobaidischinni followed next carrying in his right hand the black wood stick which had been prepared in the morning, and in his left hand the red stick. Ahsonnutli followed with bow and arrow in the left hand and an arrow in the right with a quiver thrown over the shoulder.
He sat in an upright position with the legs extended and arms falling by his sides. A chant was sung by the song priest, and in a few minutes Naiyenesgony and Tobaidischinni appeared. Naiyenesgony drew his stone knife in front of the invalid over the forehead to the feet, then down the right side and down the back and down the left side. He then began to remove the pine.
These were placed in a basket half filled with meal; the basket stood in the niche behind the song-priest. Two men personated Naiyenesgony and Tobaidischinni. Tobaidischinni had his body painted with the scalp knot in white in relative positions to the bows on Naiyenesgony.
Upon the calico was spread a fine large buckskin, and on this white muslin; these were all gifts from the invalid to the song priest. Immediately under these were the six Hostjoboard, and beneath the latter were the masks of Naiyenesgony and Tobaidischinni at the north end. Three other masks of the Etsethle followed in line running south.
The quiver was removed from Ahsonnutli before she knelt. The song-priest, kneeling in front of Naiyenesgony, repeated a long litany with responses by the invalid, when the gods left the lodge led by Naiyenesgony who deposited his tube and stick in a piñon tree, Tobaidischinni depositing his in a cedar tree, and Ahsonnutli hers in the heart of a shrub. The scene was a brilliant one.
As each wreath was taken off the clusters were partly separated with the stone knife. Tobaidischinni assisted Naiyenesgony by holding the wreaths while they were being cut. When all the evergreen had been removed the personators of the gods exclaimed, "Now, my people, we have killed all enemies!" and immediately left the lodge.
The theurgist occupied his usual seat, surrounded by his corps of attendants. The man personating Naiyenesgony had his body and limbs painted black. The legs below the knee, the scapula, the breasts, and the arm above the elbow were painted white.
Ahsonnutli had a beard under her right arm and Yolaikaiason had a small ball of flesh under her left arm from which they made all shells. The eyes of Naiyenesgony and Tobaidischinni were shells placed on their faces by Ahsonnutli; the shells immediately becoming brilliant the boys could look upon all things and see any distance without their eyes becoming weary.
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