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There is also a scientific museum founded by the Archduke Maximilian, and, above all, there is the beautiful residence of that ill-starred prince, the Miramare, where the half-crazed Empress of the Mexicans vainly waits her husband's return from the experiment of paternal government in the New World.

That was some years ago, before Mexico was dreamed of at Miramare: now, perchance, she who is one of the most unhappy among women looks down distraught from those high windows, and finds in the helpless sail and impassive wave the images of her baffled hope, and that immeasurable sea which gives back its mariners neither to love nor sorrow.

You would never find it if you went to Genoa. You and other tourists would be in the Bristol or the Savoy or the Miramare up on the heights above the railroad terminal. You would never find the Hotel Robinsons of Europe. They are like a mirage to the tourists, those quiet, clean, cheap hotels.

I think though she be the wife and daughter of princes, we may pity this poor Empress at least as much as we pity the Mexicans to whom her dreams have brought so many woes. It was the midnight following my visit to Miramare when the fiacre in which I had quitted my friend's house was drawn up by its greatly bewildered driver on the quay near the place where the steamer for Venice should be lying.

It would be hard to tell how Art has charmed rock and wave at Miramare, until the spur of those rugged Triestine hills, jutting into the sea, has been made the seat of ease and luxury, but the visitor is aware of the magic as soon as he passes the gate of the palace grounds. These are in great part perpendicular, and are over clambered with airy stairways climbing to pensile arbors.

Where horizontal, they are diversified with mimic seas for swans to sail upon, and summer-houses for people to lounge in and look at the swans from. On the point of land furthest from the acclivity stands the Castle of Miramare, half at sea, and half adrift in the clouds above: