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When he spoke of the Imperial conquerors 'Greeklings' he called them Venantius gave vent to his wrath and scorn. The Goths were right when they asked what had ever come out of Greece save mimes and pirates; land-thieves they might have added, for what else were the generals of Justinian with their pillaging hordes?
In vain were spread before her the delicacies of the Empire. She could but trifle with a shark's fin and a "Silver Ear" fungus and a dish of slugs entrapped upon roses, with the dew-like pearls upon them. Her burning curiosity had wholly deprived her of appetite, nor could the amusing exertions of the Palace mimes, or a lantern fete upon the lake restore her to any composure.
Her dress was also of red samite, fantastically cut and flounced, as if she had been dressed for some exhibition of mimes or jugglers; and with the same minuteness which her predecessor had exhibited, she passed the lamp over her face and person, which seemed to rival the male's in ugliness.
"Nunquam periclum sine periclo vincitar." Horace mentions Laberius not uncomplimentarily, though he professes no interest in the sort of composition he represented. Perhaps he judged him by his audience. They are described as Mimicae fabulae, versibus plerunque iambicis conscriptae, and appear to have differed in some way from the actual mimes, probably in not being represented on the stage.
At the side of these was a rabble of every sort: singers, mimes, musicians, dancers of both sexes; poets who, while declaiming, were thinking of the sesterces which might fall to them for praise of Cæsar's verses; hungry philosophers following the dishes with eager eyes; finally, noted charioteers, tricksters, miracle-wrights, tale-tellers, jesters, and the most varied adventurers brought through fashion or folly to a few days' notoriety.
With the advent of Julius Caesar and the conquest of Britain by the Romans, about the year 52 B.C., we have, in all probability, the first introduction of the Roman Pantomimic Art into this country. Inasmuch as we have it upon the authority of history that Caesar travelled with his Mimes, and it is, therefore, not improbable that they came into Britain with him.
Thus he refuses to classify as poetry the scientific writings which Empedocles had composed in meter as well as the histories of Herodotus, even if he had written them in verse. On the other hand, the mimes of Sophron and Xenarchus, although composed in prose, he considers within the scope of poetic.
It is probable that Caesar lent his countenance to these writers in the hope of raising their art. The old man, for he was then sixty years of age, had written Mimes for a generation, but had never acted in them himself. Caesar, whom he may have offended by indiscreet allusions, recommended him to appear in person against his rival Syrus.
After a time, when they became established as popular favorites, the dialogue occupied a more prominent position, and was written in verse, like that of tragedy and comedy. The profession of an actor of mimes was infamous, but Laberius was a writer, not an actor. On one occasion, Caesar offered him a large sum of money to enter the lists in a trial of his improvisatorial skill.
Every citizen was a Bathyllian or a Pyladian." Augustus reproved Pylades on one occasion for his quarrels with Bathyllus. The Mime retorted, "It is well for you that the people are engrossed by our disputes; their attention is thus diverted from your actions." A bold retort, but it shows how important these Mimes were.
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