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"No, honoured Mihail Averyanitch; I do not believe it, and have no grounds for believing it." "I must own I doubt it too. And yet I have a feeling as though I should never die. Oh, I think to myself: 'Old fogey, it is time you were dead! But there is a little voice in my soul says: 'Don't believe it; you won't die." Soon after nine o'clock Mihail Averyanitch would go away.

Levin, who had long been familiar with these patriarchal methods, exchanged glances with Sviazhsky and interrupted Mihail Petrovitch, turning again to the gentleman with the gray whiskers. "Then what do you think?" he asked; "what system is one to adopt nowadays?"

There were four of them: Father Iosif and Father Païssy, Father Mihaïl, the warden of the hermitage, a man not very old and far from being learned. He was of humble origin, of strong will and steadfast faith, of austere appearance, but of deep tenderness, though he obviously concealed it as though he were almost ashamed of it.

At last Mihail Makarovitch, who had been absent, came hurriedly into the room, and said in a loud and excited voice to the prosecutor: “She’s been removed, she’s downstairs. Will you allow me to say one word to this unhappy man, gentlemen? In your presence, gentlemen, in your presence.”

Even little Mihail used to copy out lectures for students, and so made a little money. It was the absolute necessity of earning money to pay for his fees at the University and to help in supporting the household that forced Anton to write. That winter he wrote his first published story, "A Letter to a Learned Neighbour."

Katya loves driving, and she is pleased that it is fine weather and that I am sitting beside her. She is in good spirits and does not say harsh things. "You are a very good man, Nikolay Stepanovitch," she says. "You are a rare specimen, and there isn't an actor who would understand how to play you. Me or Mihail Fyodorovitch, for instance, any poor actor could do, but not you.

His story is remembered to this day with amazement in our town, and I shall perhaps have something to say about it, when I have finished my long history of the Brothers Karamazov. Our police captain, Mihail Makarovitch Makarov, a retired lieutenant-colonel, was a widower and an excellent man.

Chekhov's household at this time consisted of his father and mother, his sister, and his younger brother Mihail. These were all permanent inmates of Melihovo. As soon as the snow had disappeared the various duties in the house and on the land were assigned: Chekhov's sister undertook the flower-beds and the kitchen garden, his younger brother undertook the field work.

"Science, thank God, has outlived its day," says Mihail Fyodorovitch emphatically. "Its song is sung. Yes, indeed. Mankind begins to feel impelled to replace it by something different. It has grown on the soil of superstition, been nourished by superstition, and is now just as much the quintessence of superstition as its defunct granddames, alchemy, metaphysics, and philosophy.

There was a greenness before his eyes. Andrey Yefimitch understood that his end had come, and remembered that Ivan Dmitritch, Mihail Averyanitch, and millions of people believed in immortality. And what if it really existed? But he did not want immortality and he thought of it only for one instant.