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Updated: May 9, 2025
And whilst Liszt attributes to Chopin all sorts of feminine graces and beauties, he speaks of George Sand as an Amazon, a femme-heros, who is not afraid to expose her masculine countenance to all suns and winds. Merimee says of George Sand that he has known her "maigre comme un clou et noire comme une taupe."
But between 1830 and 1860 the French had a very strong critical school indeed a school whose scholars and masters showed the dæmonic, or at least prophetic, inspiration of Michelet, the milder and feebler but still inspiring enthusiasm of Quinet, the academic clearness and discipline of Villemain and Nisard, the Lucianic wit of Mérimée, the matchless appreciation of Gautier, and, above all, the great new critical idiosyncrasy of Sainte-Beuve.
"The whole grace of virginity," wrote another philosopher, Guyau, "is ignorance. Virginity, like certain fruits, can only be preserved by a process of desiccation." Mérimée pointed out the same desiccating influence of virginity. In a letter dated 1859 he wrote: "I think that nowadays people attach far too much importance to chastity.
Any excuse is good for the sending of a locket. They have a rather cannibalish look, I think. Who should offer me his arm for dinner to night but Prosper Merimee, the lion of lions, the pampered poet, who entrances all those who listen to him whenever he opens his lips. He is tall and degage, with a nice smile and pleasant eyes, though sometimes he gives you a sharp and suspicious glance.
No, I will only say to the judges that if, on account of his description of the carriage in The Double Misunderstanding, M. Mérimée had been prosecuted, he would have been acquitted immediately. One sees in his book only a work of art of great literary beauty.
Thiers talked with contempt of Michelet; and Carlyle, unconscious of the numerous affinities between that historian of genius and himself, half assented. Prosper Merimee, on the other hand, incensed him by some freaks of criticism, whether in badinage or in earnest probably the former.
Your description of the battle-scene is astonishing! It is admirable! It is as clear and precise as Merimee, and it has all the color and imagination that he lacks to make him a poet. It is something absolutely new. My dear Monsieur Violette, I congratulate you with all my heart!
After the fundamental scientific questions that engaged my attention, I was most interested in artistic style. There was, in modern Danish prose, no author who unreservedly appealed to me; in German Heinrich Kleist, and in French Merimee, were the stylists whom I esteemed most.
For the honor of French men of letters, let us add that this exceptional phenomenon has manifested itself twice in the nineteenth century. Merimee, whom I have also named, received from Stendhal, at twenty, the same benefits that Maupassant received from Flaubert. The author of "Une Vie" and the writer of "Clara Jozul" resemble each other, besides, in a singular and analogous circumstance.
This life lasted for a while, but it was not the sort of life that would now content her. She had many visitors from Paris, among them Sainte-Beuve, the critic, who brought with him Prosper Merimee, then unknown, but later famous as master of revels to the third Napoleon and as the author of Carmen.
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