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There is a good vault springing from corbels, but the clerestory windows have been replaced by large semicircles. All the body of the church of Santa Maria da Marvilla at Santarem is built in the style of Dom João III., that is, the nave arcade has tall Ionic columns and round arches.
And she wuzn't worrysome much, only about one thing she wanted a home, wanted a home dretfully. Some wimmen are so; she had moved round so much, from one poor old place to another, that she sort o' hankered after bein' settled down into a stiddy home. Wall, there wuz eight children younger than Marvilla, that wuz the oldest young girl's name.
Up in the town on the top of the hill the nave of the church of the Marvilla whose Manoelino door and chancel have already been mentioned is of about the same date. This nave is about one hundred feet long by fifty-five wide, has three aisles with wooden ceilings; the arcades of round arches with simple moulded architrave rest on the beautiful Ionic capitals of columns over twenty-six feet high.
Capitals very like those in the nave of the Marvilla, but with a ring of leaves instead of flutes, are found in the cloister of the church at Penha Longa near Cintra, and in the little round chapel at Penha Verde not far off, where lies the heart of Dom João de Castro, fourth viceroy of India.
Such is the cloister of the college of São Thomaz at Coimbra, founded in 1540, where the arches of the lower cloister rest on Ionic capitals, while the architrave of the upper is upheld by thin Doric columns; of the Carmo, also at Coimbra, founded in 1542, where the cloister is almost exactly like that of São Thomaz, except that there are twice as many columns in the upper story; of Penha Longa near Cintra, where the two stories are of equal height and the lower, with arches, has moulded and the upper, with horizontal architrave, Ionic capitals, and of São Bento at Faro, where the lower capitals are like those in the Marvilla, but without volutes, while the upper are Ionic.
Sometimes these Manoelino designs, as in the palace at Cintra, are really beautiful when the parts are small and do not straggle all over the surface, but sometimes as in the Marvilla door at Santarem, or in that of the convent of the Madre de Deus at Lisbon, the mouldings are so clumsy and the design so sprawling and ill-connected, that they can only be looked on as curiosities of architectural aberration.
These were put up by the heads of a brotherhood in 1648, and are almost exactly the same as those in the church of Alvito; even the small saintly figures over the arches occur in both. The pattern of Alvito is one of the finest, and is found again at Santarem in the church of the Marvilla, where the lower tiles are all of singular beauty and splendid colouring, blue and yellow on a white ground.
A woman wuz there a visitin', Miss Bombus'es aunt, I think, and she spoke up and said that she fully approved of her niece Bombus'es decision. And she said, "As for herself, she never give to any subject that she hadn't thoroughly canvassed." Says I, "There they all are in that little hut, you can canvass them at any time. Though," says I, thoughtfully, "Marvilla might give you some trouble."
Others nearly the same are found in the house of the Conde de São Vicente at Lisbon, only there the volutes are replaced by winged figures, as is also the case in the arcades of the Misericordia at Tavira, the door of which has been mentioned above. Still more like the Marvilla capitals are those of the lower cloister of the cathedral of Vizeu.
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