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Let us apply this principle to a Shakespearean play for example, to Macbeth. The act headings might run somewhat as follows Can it be doubted that Shakespeare had in his mind the rhythm marked by this act-division?

He says, "In 'Macbeth, at the Globe, 1610, the 20th April, Saturday, there was to be observed first how Macbeth and Banquo, two noblemen of Scotland, riding through a wood, there stood before them three women fairies, or nymphs, and saluted Macbeth, saying three times unto him, 'Hail, Macbeth, King of Codor, for thou shalt be a king, but thou shalt beget no kings," etc.

To these they poured in the blood of a sow that had eaten her young, and they threw into the flame the grease that had sweaten from a murderer's gibbet. By these charms they bound the infernal spirit to answer their questions. It was demanded of Macbeth whether he would have his doubts resolved by them or by their masters, the spirits.

This conversation with Elisha seems to have accelerated Hazael's purpose, as if the prediction were to his mind a justification of his means of fulfilling it. How like Macbeth he is! the successful soldier, stirred by supernatural monitions of a greatness which he should achieve, and at last a murderer.

Here the cauldron sank into the ground, and a noise of music was heard, and eight shadows, like kings, passed by Macbeth, and Banquo last, who bore a glass which shewed the figures of many more, and Banquo all bloody smiled upon Macbeth, and pointed to them; by which Macbeth knew, that these were the posterity of Banquo, who should reign after him in Scotland; and the witches, with a sound of soft music, and with dancing, making a shew of duty and welcome to Macbeth, vanished.

Bring your own opera-glasses, and don't forget the fans." "Got 'em both," said Macbeth. A moment later I found myself in close physical proximity to two of the dirtiest rascals in Christendom. A reconciler of opposites, bent on knocking our heads together, would have had an easy task, for there was not more than eight inches between them.

Ernest Bloch was born in Geneva, Switzerland, July 24th, 1880. He studied in Geneva with Jaques Dalcroze; in Brussels with Ysaye; at the Hoch Conservatory in Frankfort with I. Knorr; and with Thuille in Munich. His opera "Macbeth" was produced at the Opéra Comique in Paris in 1910. In 1915 he was appointed professor of composition in the conservatory in Geneva.

For many years she led the life of a "star," fulfilling brief engagements here and there, appearing now for a term in London, and now travelling through the provinces, playing some half a dozen characters over and over again. Of these Lady Macbeth, Queen Katherine and Meg Merrilies were perhaps the most frequently demanded.

Looking out, I saw the officer stop there, hail a cab, hastily enter it, and disappear in the direction of Broadway. "Confusion now hath made his master-piece; Most sacrilegious murder hath broke ope The Lord's anointed temple, and stolen thence The life of the building." Macbeth.

A person settling in one of these towns twenty years ago, establishing trade, buying or building premises, in the belief that, however business may alter from other causes, his geographical position must, at all events, continue unchanged, must be as much astonished as was Macbeth at the migratory propensities of Birnam forest, when he perceives that towns a hundred miles down the road have actually walked between him and London; get their town parcels much earlier, and have digested and nearly forgotten their newspaper, while he is waiting in a fever of expectation to know whether rums is much riz or sugars is greatly fell.