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Updated: June 16, 2025


Still, there are writers in every nation in Europe, who afford examples of this vulgar feeling. It is this which led Yriarte to caricature them in the thirty-third of his charming Literary Fables. His two best known works are a didactic poem, entitled La Musica, and the Fables here quoted, which satirize the peculiar foibles of literary men.

I assure you that the master of this house is fanatico per la musica; heard you sing Siebel at Homburg raved about you wanted to call on you. We had to drag him away from the place; and he declares you are the first singer in the world; and you cannot doubt his sincerity, for here are the pearls."

The French designation was obviously suggested by the Italian "academies," or literary and musical societies of the period; the expression accademia di musica is still occasionally used in Italy to signify a concert.

Chord successions without any melodic union cannot be long sustained, and the Italians, with the tentative achievements of the frottolists before them, were not long blind to this fact. Leone Battista Alberti, father of Renaissance architecture, in writing of his church of St. Francis at Rimini uses the expression "tutta questa musica."

I am in no haste to sell the Voluta Musica. It has its price, as gentleman knows by his catalogue. Here is a razor-shell; perhaps the gentleman like that. Shave yourself or other people with this!" "I want to know!" interposed Mrs. Isaac Cutter, leaning forward eagerly, spectacles on nose. "Can folks really shave with those, sir? They do look sharp, now, don't they? What might you ask for a pair?"

"To my judgment," the Florentine concludes, "I prefer the latter, and for the strife and emulation between the nobles and the people, they are to be regarded indeed as inconveniences, but necessary to a state that would rise to the Roman grandeur." Plut. de Musica.

The first appearance of this change is to be found in Cavalli's operas, in which certain rhythmical movements called "arias" which are quite distinct from the musica parlante, make their appearance.

Here are the real ones, not made up into truck, but just themselves. Oh, oh! Lena, look!" The Skipper was coming forward with a shell in his hand of exquisite colour and shape. "Perhaps the young lady like to see this?" he said. "This the Voluta Musica, a valuable shell, young lady. You look, and see the lines of the staff on the shell, so? Here they run, you see!

But he was "fanatico per la musica." He was the acknowledged leader in all matters musical in Ravenna; the most influential patron of the opera in the city; and all-powerful in the regulation of all theatrical affairs. The Marchese Lamberto held a rather special position in the social world in Ravenna. His fortune was large; and the nobility of his family ancient.

It is believed by this writer that during the existence of this supremacy at sea she would be able to protect the passage of general foodstuffs from foreign countries to her own ports. He concludes, however: "Of course if we lose our predominance at sea it is another matter. But then, è finita la Musica." Gibson Bowles, Jan. 4, 1900. For.

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