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By this, with the option of breaking the connection after six months, Balzac undertook to write for the Revue for a year, being still entitled during that time to furnish articles to the Renovateur, the Journal Quotidienne Politique, and L'Artiste.
There the works of the great artist are imbedded in the various publications for which he laboured so many years such at La Caricature, Les Beaux Arts, L'Artiste, Les Modes Parisiennes, La Gazette Musicale, Le Boulevard, and Masques et Visages.
Gabriel Seailles has written a study, Eugène Carrière, l'Homme et l'Artiste, and Charles Morice has published another, Eugène Carrière. The latter deals with the personality and ideas of one of the most original thinkers among modern French painters.
"'Une tristesse implacable, une effroyable fatalité pèse sui l'oeuvre de l'artiste. Cela ressemble
One of the drawing-room critics who uphold the literature of lords and ladies, sums up the merits of fashionable novel-writing as follows: "After all, it is something to scrutinize lords and ladies, recline on satin sofas, eat off silver dishes whose nomenclature is the glory of l'artiste though only in a book."
A propos of Celtic archaeology, I published in L'Artiste in 1858, a rather good hoax on the shaking stones, but I have not the number here and I don't remember the month. I read, straight through, the 10 volumes of Histoire de ma vie, of which I knew about two thirds but only fragmentarily. What struck me most was the life in the convent.
As Sainte-Beuve says, in a fine comparison between Racine and Shakespeare, to come to the one after the other is like passing to a portrait by Ingres from a decoration by Rubens. At first, 'comme on a l'oeil rempli de l'éclatante vérité pittoresque du grand maître flamand, on ne voit dans l'artiste français qu'un ton assez uniforme, une teinte diffuse de pâle et douce lumière.
I love you I do love you but only when you paint, monsieur l'artiste then you are magnificent a companion to the gods! When you kiss Oh, la la! You are er paleozoic!" It was Olga's master stroke. She could parry no longer and must thrust if she would survive. The tenderness that this gaucherie aroused in her made her the more merciless in her mockery!
However, it was absolutely necessary that his married life should be one of luxury and magnificence, beautiful surroundings being indispensable to his scheme of existence, "Il faut," he said, "que l'artiste mene une vie splendide."
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