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Modern criticism has recently distributed several "Giorgionesque" portraits in English collections among Licinio, Lotto, and even Polidoro! But this disintegrating process may be, and has been, carried too far. Two more small works may be mentioned which may tentatively be ascribed to Giorgione. George slaying the Dragon."

Giorgione went deeper, knowing the secret of the soul's refinement, the aristocracy of poetry and passion; Lotto sympathetically laid bare the heart's secrets and showed the pathetic helplessness of humanity.

In 1527 Lotto was back again in Venice, and was probably influenced by Palma Vecchio when he painted the superb portrait of the sculptor Odoni, which is at Hampton Court. A little later the influence of Titian is more visible. Two other portraits are in our National Gallery, those of the Protonotary Juliano and of Agostino and Niccolo della Torre.

Lotto, Wieniawski, Teresina Tua, and a host of other distinguished violinists studied under him: among them also was Charles M. Loeffler, of the Boston Symphony Orchestra. Massart was also an excellent quartet player and gave many delightful chamber concerts, with his wife, who was a pianist. He died in Paris, February 13, 1892.

One of our friends, who knew most of them, told us that their only employment at home was to play lotto from morning till night. He also said that one day, after he had returned from Versailles, some of them had asked him the news, that he had replied M. de La Pérouse was to make a journey round the world, and that the hostess had thereupon exclaimed: "Gracious!

Cima, Basaiti, and most of the Bellinesques had shown an especial affection for the subject, and it had been treated too by Lotto, by Giorgione, by Titian himself; but this is surely as noble and fervent a rendering as Venetian art in its prime has brought forth.

Brescia and Bergamo remained within the influence of Venice, producing work of nearly first-rate quality in Moretto, Romanino, and Lorenzo Lotto.

XIX. Here also are good but not transcendent portraits by Titian, Tintoretto, and Lotto, and the Battle of Lepanto, with heavenly interference, by Veronese. Finally, we come to the room set apart for Titian's charming conception of "The Presentation of the Virgin," which fills all one wall of it. I give a reproduction opposite page 36.

Nor did Lorenzo Lotto, the pupil of Alvise Vivarini, escape the authority of that serene and perfect work, whose beauty lingered so quietly over the youth of the greatest painter of Italy, Tiziano Vecelli: his Holy Family seems to be a work of Giorgione himself almost, that has suffered some change; that change was Lotto.

The Tommies played "house" from dawn till dark. It is a game of the lotto variety. Each man has a paper with numbers written on squares; one of them draws from a bag slips of paper also marked with numbers, calls them out, and those having the number he calls cover it, until all the numbers on their paper have been covered.