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In 1527 Lotto was back again in Venice, and was probably influenced by Palma Vecchio when he painted the superb portrait of the sculptor Odoni, which is at Hampton Court. A little later the influence of Titian is more visible. Two other portraits are in our National Gallery, those of the Protonotary Juliano and of Agostino and Niccolo della Torre.
CAROLUS CRIVELLUS VENETUS MILES PINXIT. This was painted for the Odoni Chapel in S. Francesco at Matelica, the coat of arms of the family being painted on the step. Our Annunciation was executed for the convent of the Santissima Annunziata at Ascoli, and is dated 1486.
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