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Otherwise called the Granite Temple of Gizeh, or Temple of Khafra, as its connection with the Sphinx is much disputed, while it is in direct communication with the temple of the pyramid of Khafra, by a causeway in line with the entrance passage. The casing of the open air court on the top of it was of fine limestone; only a few blocks of this remain.
He stands upright, his arms down, his left leg forward, in the attitude of a prince inspecting a march-past of his vassals. The countenance is haughty, the attitude bold; but Ranefer does not impress us with the almost superhuman calm and decision of Khafra. Stalwart and square-cut, he has somewhat of the rustic in his physiognomy. She wears a close-fitting garment, opening to a point in front.
For I would take you to the ruins of the Temple of Khafra, where the rose colour of the stone shall tint your face and your hands, where eyes shall not see nor hear the story of the love I have to tell you." And leaning across he put his arm about Jill and lifted her from her saddle, and laid her across his knees with her head in the hollow of his shoulder.
The king and his successor Khafra are real, but the other sons cannot be identified; and the confusion of supposing three kings of the Vth Dynasty to be triplets born early in the IVth Dynasty, shows what very vague ideas of their own history the Egyptians had when these tales were formed.
And his sons and his councillors came and stood before him, and he said to them, "Know ye a man who can tell me tales of the deeds of the magicians?" Then the royal son Khafra stood forth and said, "I will tell thy majesty a tale of the days of thy forefather Nebka, the blessed; of what came to pass when he went into the temple of Ptah of Ankhtaui."
The actual papyrus begins with the last few words of a previous tale concerning some other magician under an earlier king. Then comes the tale of Khafra, next that of Bau-f-ra, and lastly that of Hor-dedef. It need hardly be said that these tales are quite fictitious.
The canopic vases of Pepi I. are of alabaster; and those of a king buried in the southernmost pyramid at Lisht are also of alabaster, as are the human heads upon the lids. One, indeed, is of such fine execution that I can only compare it with that of the statue of Khafra.
Thanks to this device, the central pressure was thrown almost entirely on the side faces, and the chamber was preserved. The pyramids of Khafra and Menkara were built on a different plan inside to that of Khûfû. Khafra's had two entrances, both to the north, one from the platform before the pyramid, the other fifty feet above the ground.
The Gizeh group contains nine, including those of Khûfû, Khafra, and Menkara, which were anciently reckoned among the wonders of the world. The ground on which the pyramid of Khûfû stands was very irregular at the time of construction. The pyramid itself was 481 feet high and 755 feet wide, dimensions which the injuries of time have reduced to 454 feet and 750 feet respectively.
The face lacks both intelligence and vivacity; but his work, after all, called for no special nimbleness of wit. Khafra is in diorite; Raemka and his wife are carved in wood; the other statues named are of limestone; yet, whatever the material employed, the play of the chisel is alike free, subtle, and delicate.
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