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They now seemed delighted to be allowed to breathe more freely in thus occupying themselves with nobler music under a method of conducting which I had made peculiarly my own. After the great success of my first concert advances were made to me from those circles to which, as I could very well understand, I had been secretly but influentially recommended by Mme. Kalergis.
I was never clear as to the effect produced upon both performers and listeners by the presentation under such circumstances of this extraordinary selection. Mme. Kalergis remained dumb. Berlioz merely expressed himself warmly on the chaleur of my delivery, which may very well have afforded a strong contrast to that of my partner in the work, who rendered most of her part in low tones.
By way of set-off to this, we were very pleased by the performance, on another evening, of the first act of the Walkure, at which, in addition to Mme. Kalergis, the singer Niemann was present. This man had now arrived in Paris, at the request of the manager Royer, to arrange a contract.
In this condition, not only did I imagine that Princess Metternich and Mme. Kalergis were arranging a complete court for me, to which I invited the Emperor Napoleon, but I actually requested that Emil Erlanger should place a villa near Paris at my disposal, and that I should be removed to it, as it was impossible for me to recover in the dark hole where I was.
Kalergis had also been at work here on my behalf, but she had apparently only succeeded in winning over the young Empress, for she alone was present at the performance, and without any retinue. But at the second concert I had to endure all kinds of disillusionment. In spite of all warnings to the contrary, I had fixed it for the New Year's Day of 1863.
Kalergis, in whose honour alone it was given, Berlioz was the only person present. Mme. Viardot had specially charged herself with securing his presence, apparently with the avowed object of easing the strained relations between Berlioz and myself.
Kalergis, had shown great kindness to me, and at last he seemed to grow tired of being continually taunted by his colleagues about my objectionable position as a 'political refugee, and consequently felt it his duty to make representations to his court on my behalf.
But the Grand Duke insisted, as he wished to give his mother-in-law, Queen Augusta, whose arrival was expected within a few days, the pleasure of hearing my production. I should have found it dreadfully wearisome to have to spend the intervening time in the solitude of my Karlsruhe hotel, but I received a kind invitation to Baden-Baden from Mme. Kalergis, who had just become Mme.
Among the pianist-composers who have had the immense advantage of taking lessons from Chopin, to impregnate themselves with his style and manner, we must cite Gutmann, Lysberg, and our dear colleague G. Mathias. The Princesses de Chimay, Czartoryska, the Countesses Esterhazy, Branicka, Potocka, de Kalergis, d'Est; Mdlles.
Kalergis used her influence so I was afterwards informed as an exceedingly powerful and irresistible female advocate to inspire Bulwer with a definite interest in my fate. In this she so far succeeded, that he unconditionally placed his house at my disposal for nine mouths.
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