United States or South Georgia and the South Sandwich Islands ? Vote for the TOP Country of the Week !
For the 'March' Spenser recasts in English surroundings Bion's fantasy of the fight with Cupid, without however achieving any conspicuous success. In the April eclogue Hobbinol recites to the admiring Thenot Colin's lay
Diggon is a shepherd, who, in hope of gain, drove his flock into a far country, and coming home the poorer, relates to Hobbinol the evil ways of foreign shepherds among whom, playnely to speake of shepheards most what, Badde is the best. The 'October' eclogue belongs to the stanzaic group, and consists of a dialogue on the subject of poetry between the shepherds Piers and Cuddie.
Such identifications, at any rate, have no importance for our present task, which is to ascertain in what measure and in what manner Peele's work paved the way for the advent of the Italian pastoral; and we note, with regard to the present scene, that the more polished and more homely elements alike both Colin on the one hand, and Diggon, Hobbinol, and the rest on the other are inspired by Spenser's work, and by his alone.
Spenser, accordingly, alluded to his friends, Sidney and Harvey, as the shepherds Astrophel and Hobbinol; paid court to Queen Elizabeth as Cynthia; and introduced, in the form of anagrams, names of the High-Church Bishop of London, Aylmer, and the Low-Church Archbishop Grindal. The conventional pastoral is a somewhat delicate exotic in English poetry, and represents a very unreal Arcadia.
Though his system has long been discarded, its main ideas have continued to influence thought and investigation. Poet, s. of a ropemaker, was b. at Saffron Walden, ed. at Camb., and became the friend of Spenser, being the Hobbinol of The Shepheard's Calendar. He wrote various satirical pieces, sonnets, and pamphlets.
As will be remembered, he had contributed a prologue to the Temple Beau, so that his association with Fielding must have been of some standing. In this way Glover's London, Boyse's Deity, Somervile's Hobbinol, Lillo's Elmeric, Dyer's Ruins of Rome, and other of the very minor poetae minores of the day, were commented upon.
As at a later day Faustus, so now Paris bows before the sovereignty of her beauty, and then wanders off through Ida glades in the company of the victorious queen of love, leaving her outraged rivals to plot a common revenge. Act III introduces the slight rustic element. Hobbinol, Diggon, and Thenot enter to Colin, who is lamenting the cruelty of his love Thestylis.
In the 'June' we return to the love-motive of Rosalind, which, though alluded to in the April eclogue, has played no prominent part since January. It is a dialogue between Colin and Hobbinol, in which the former recounts his final defeat and the winning of Rosalind by Menalcas.
In the 'January, a monologue, Spenser, under the disguise of Colin Clout, laments the ill-success of his love for Rosalind, who meets his advances with scorn. He also alludes to his friendship with Harvey, who is introduced throughout under the name of Hobbinol. The 'February' is a disputation between youth and age in the persons of Cuddie and Thenot.
Word Of The Day