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Hamerton's admiration of this artist's talent was great, and his liking for him as a man became great also. He often expressed the opinion that, in his best pen-drawings, Urrabieta Vierge was and would remain without a rival. He used to spend hours over the original illustrations to Pablo de Segovie, and other drawings in the possession of the artist.

I know you do!" and going to the book-case, she brought one of Hamerton's books which I had been reading aloud to them the day before. Amy had quietly disappeared, and came down in an incredibly short time in a fresh, simple gown, with her work in her hand. I read until dinner, or rather until it was time to dress, and then I laid the book aside, and went up-stairs with the rest. Hilyard and Mrs.

I looked into Hamerton's clever book on the domestic animals, also expecting to find my divinity duly celebrated, but he passes her by and contemplates the bovine qualities only as they appear in the ox and the bull. Neither have the poets made much of the cow, but have rather dwelt upon the steer, or the ox yoked to the plough.

Let us recall Mr. Hamerton's account of the most illiterate class in France; what an amount of civilization they have notwithstanding! And this is always to be understood, in hearing or reading a Frenchman's praise of England. He envies our liberty, our public spirit, our trade, our stability. But there is always a reserve in his mind.

Perfectly firm in his own convictions, he respected those of other people, because his large sympathy understood the different wants of different natures, even when he had no share in them. Hamerton's character, which will be related in due course, and visited him afterwards so long as we remained in the Autunois.

Hamerton's strong love of etching had now led him to the practice of it, and for several hours every day he struggled against its technical difficulties. Full of hope and trust in a final success, he turned from a spoilt plate to a fresh one without discouragement, always eager and relentless. His main fault, as I thought, was attempting too much finish and effect, and I used to tell him so.

Mr. T. Hamerton's intention, as well as his sister's, was to go to Chamouni and the Mer de Glace, and to ask their nephew to act as guide. He was glad enough to avail himself of the opportunity for studying mountain scenery, but felt somewhat disappointed that I declined being one of the party, from economical motives.

However, the help given was efficacious, and Miss Hamerton's independence was secured in the end. In the summer Gilbert had to relinquish the river-baths that he enjoyed so much.

Those who would fain treat them as creatures of a lower order dare not now show this disposition to their face; it would not be pleasant." Mr. Hamerton's interesting book about French life has much, I think, to confirm this account of the French peasant.

James McNeil Whistler has said, "There may be a doubt about Rubens having been a Great Artist; but he surely was an Industrious Person." There is barely enough truth in Mr. Whistler's remark, taken with its dash of wit, to save it; but Philip Gilbert Hamerton's sober estimate is of more value: "The influence of Rubens for good can not be overestimated.