United States or Cocos Islands ? Vote for the TOP Country of the Week !
It is majestic and graceful, but peculiar for the time. The two angels, or rather genii, bearing torches on each side, impart to the whole something of the air of a heathen apotheosis. Albert Durer. The apostles kneel or stand round the empty tomb; while Mary, soaring upwards, is received into heaven by her Son; an angel on each side. Gaudenzio Ferrari, 1525.
There was such a split, a contrariety in his soul, one part reacting against the other, which landed him always into trouble. It was when Marco was a baby that Paolo had gone to America. They were poor on San Gaudenzio. There were the few olive trees, the grapes, and the fruit; there was the one cow. But these scarcely made a living.
In the next desert there is a very beautiful figure of St. John the Baptist kneeling and looking upwards. This figure puzzles me more than any other at Montrigone; it appears to be of the fifteenth rather than the sixteenth century; it hardly reminds me of Gaudenzio, and still less of any other Valsesian artist. It is a work of unusual beauty, but I can form no idea as to its authorship.
Have we not all seen the anguish of thought-fretted faces smoothed out by the hands of the Deliverer? It is possible that many visitors to the Cathedral of Como have carried away the memory of stately women with abundant yellow hair and draperies of green and crimson, in a picture they connect thereafter with Gaudenzio Ferrari.
As we take leave of Dati at this point, for some time at least, I may quote an interesting sentence, respecting one of his intentions in later life, from the notices of him in Salvini's Fasti Consolari dell' Accademia Fiorentina : "He had particularly in view the publication of the letters which he had received from various literary men, such as John Milton, Isaac Vossius, Paganino Gaudenzio, Giovanni Rodio, Valerio Chimentelli, and Nicolas Heinsius: from the last he had a very large number."
There are, by the way, two very ambitious altars on either side the main arch leading to the chancel in the church at Naters, of which the one on the south side contains obvious reminiscences of Gaudenzio Ferrari's Sta. Maria frescoes at Varallo; but none of the four altar-pieces in the two transepts tempted me to give them much attention.
It includes nearly the whole of Lorenzetti's work in the Sala della Pace, much of Giotto, the Gozzoli frescoes at S. Gemignano, frescoes of the Veronese masters and of the Paduan Baptistery, a great deal of Piero della Francesca, Mantegna, Luini, Gaudenzio Ferrari, Pinturicchio, Masolino, &c.
No other single building in North Italy can boast so much that is first-rate of the work of Luini and Gaudenzio Ferrari. The cupola is raised on a sort of drum composed of twelve pieces, perforated with round windows and supported on four massive piers. On the level of the eye are frescos by Luini of St. Rocco, St. Sebastian, St. Christopher, and St.
In the next desert there is a very beautiful figure of St. John the Baptist kneeling and looking upwards. This figure puzzles me more than any other at Montrigone; it appears to be of the fifteenth rather than the sixteenth century; it hardly reminds me of Gaudenzio, and still less of any other Valsesian artist. It is a work of unusual beauty, but I can form no idea as to its authorship.
Word Of The Day