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In most Norman buildings we find very excellent masonry and massive construction. The exteriors of west fronts, transepts, and towers show great skill and care in their composition, the openings being always well grouped, and contrasted with plain wall-spaces; and a keen sense of proportion is perceptible.
The interior is well worth inspection, as the old woodwork and queer guest rooms of the ancient hostelry have been jealously preserved. The present Town School was erected in 1671, but a pipe bears the date 1583, indicating an earlier building on the site. The early fifteenth-century church is cruciform if we regard the high porches as transepts.
They therefore planned their transepts without any regard for the then existing proportions of the rest of the building, but as it was impossible to rebuild the whole minster at once, they found it necessary to fit their new transepts on to the older and smaller nave and choir, and afterwards to fit their new and larger nave and choir to these transepts.
Their masonry is Saxon, and they mark the lines of a chancel far too narrow to have been that of Thomas, even if we suppose that his choir was necessarily small, from the want of funds at his command, and the wasted condition of the diocese. This would seem to support the theory that Thomas left the Saxon choir as it was, and contented himself with rebuilding the ruined nave and transepts.
Some remains of an early church are built into the choir walls, but in the main this not very grand edifice is of the thirteenth and fourteenth centuries. The tower, with its loopholes, would supposedly indicate that the church was likewise intended as somewhat of a fortification. The apse is rounded in the usual form, and on either side extend transepts to the width of two bays.
This feature, originating in Romanesque churches, was retained in France through the whole of the Gothic period, and a good example of it may be seen in the large Romanesque church of St. The transepts were usually well marked. Western doorways are often highly enriched with sculpture; and the carving and sculpture generally, though often rude, are full of vitality.
Also it has a town-hall in which I once witnessed the trial by court-martial of a second-lieutenant in the R.A.M.C. for ribaldry in his cups and conduct unbecoming an officer and a gentleman a spectacle as melancholy as it is rare, and of which the less said the better. The transepts are hemmed in by shops and warehouses.
At the east end of the nave was a tower, and to the north and south of this tower were two short transepts, or porches. The tower was either not very high or else was shortened, and perhaps recapped to make it safe after the earthquake, for the comparatively small damage which it did when it fell upon the choir proves that it could not have been very massive.
This superb edifice is over an acre and a half in extent! It is 448 feet long and 249 feet through the transepts; the choir is 149 feet high. The magnificent south portal cost more than $500,000. The central portal in the west end is 93 feet high, and 31 feet wide. The central window is 48 feet in height and 20 feet wide. The projected height of the twin towers is 511 feet.
There were no transepts or central tower, but two porches, one on the north and the other on the south, and in the angle formed by them with the choir, Gundulph built towers, one a belfry, the other a fortress detached from the church. To the south of the nave stood the first monastery and it is there that we may still see fragments, five arches in all, of Gundulph's nave.
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