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Updated: May 29, 2025
However, we find even in his prosaic pieces traces of that didactical and satirical vein which is peculiarly alien to Comedy; for example, in his constant attacks on physicians and lawyers, in his disquisitions upon the true correct tone of society, &c., the intention of which is actually to censure, to refute, to instruct, and not merely to afford entertainment.
In Browning's case this fairly may be done; and then another crop of questions arises, such as: What is the book about, i. e., with what subject does it deal, and what method of dealing does it employ? Is it didactical, analytical, or purely narrative? Is it content to describe, or does it aspire to explain?
We mostly spoke in Yiddish, and our Antomir enunciation was like a bond of kinship between us, and yet I felt that she spoke to me in the patronizing, didactical way which one adopts with a foreigner, as though the world to which she belonged was one whose interests were beyond my comprehension She inquired about my early struggles and subsequent successes.
Once upon a time Christ Himself, Our Little Father, died." "And rose again," muttered the Morduine with a tinge of resentment. Which led Boev to exclaim: "Puppy, hold your tongue! What right have you to air your opinions?" "Besides, this is Good Friday, not Easter Day," the old soldier concluded with severe, didactical mien.
Thenceforth, Felitzata visited Vologonov almost daily; and once during the time of two hours or so that the pair were occupied in drinking tea I heard, through the partition-wall, the old man say in vigorous, level, didactical tones: "These tales and rumours ought not to be dismissed save with caution. At least ought they to be given the benefit of the doubt.
Opinion on the importance of the influence of ethical and didactical works of the Sasanian times on the literature of this class of early Moslem epoch, generally speaking has been expressed in scientific works and has found admittance into a few general surveys of Persian literature.
He now applied himself exclusively to Historical Tragedy, and endeavoured, by divesting himself of his personality, to rise to a truly objective representation. In Wallenstein he has adhered so conscientiously to historical truth, that he could not wholly master his materials, an event of no great historical extent is spun out into two plays, with prologue in some degree didactical.
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