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Updated: May 21, 2025


In Irish legend Ogma, one of the Tuatha De Danann who was skilled in dialects and poetry, seems to be credited with the invention of the Ogam alphabet, and he probably was the equivalent of the Gaulish god Ogmios, the god of eloquence, so interestingly described by Lucian.

And in the child's dream he was in a palace high as the stars, with dazzling pillars jeweled like the dawn, and all fashioned out of living and trembling opal. And upon their thrones sat the Danann gods with their sceptres and diadems of rainbow light, and upon their faces infinite wisdom and imperishable youth.

But while I should, on the whole, accept the affiliation of the two groups, and believe that the treasures of the Tuatha de Danann really correspond to the symbols displayed in the hall of the Grail castle, I cannot consider that the one is the origin of the other.

But besides these pagan divinities and powers, and quite apart from them, the early Irish believed in two classes of fairies: in the first place, a hierarchy of fairy beings, well and ill disposed, not differing in appearance, to any great degree at any rate, from human beings good spirits and demons, rarely visible during the daytime; and, in the second place, there was the magic race of the De Danann, who, after conquest by the Milesians, transformed themselves into fairies, and in that guise continued to inhabit the underworld of the Irish hills, and to issue thence in support of Irish heroes, or to give their aid against other fairy adversaries.

On the whole, I am of the opinion that the treasures of the Tuatha de Danann and the symbols of the Grail castle go back to a common original, but that they have developed on different lines; in the process of this development one 'Life' symbol has been exchanged for another.

"They're of the Tuatha De, the old ones, the great people of Ireland, that's who they are!" I knew, of course, of the Tuatha De Danann, the tribes of the god Danu, the half-legendary, half-historical clan who found their home in Erin some four thousand years before the Christian era, and who have left so deep an impress upon the Celtic mind and its myths.

I knew the shape of cliffs and coasts, and how all places looked under the sun or moon. And I was still a hawk when the sons of Mil drove the Tuatha De' Danann under the ground, and held Ireland against arms or wizardry; and this was the coming of men and the beginning of genealogies. "Then I grew old, and in my Ulster cave close to the sea I dreamed my dream, and in it I became a salmon.

To help his memory the early "shanachie" or story-teller grouped his romantic story-store under different heads, such as "Táins" or Cattle-spoils, Feasts, Elopements, Sieges, Battles, Destructions, Tragical Deaths; but it is easier for us now to group them in another way, and to class together the series of tales referring to the Tuatha De Danann or ancient deities, those belonging to the Red Branch cycle of King Conchobar and Cuchulainn, those relating to Finn, and the Legends of the Kings.

Such use would bring the 'Suits' into line with the analogous symbols of the Grail castle and the treasures of the Tuatha de Danann, both of which we have seen to be connected with the embodiment of the reproductive forces of Nature.

I have already referred to the fact, first pointed out by the late Mr Alfred Nutt, that the four treasures of the Tuatha de Danann correspond generally with the group of symbols found in the Grail romances; this correspondence becomes the more interesting in view of the fact that these mysterious Beings are now recognized as alike Demons of Fertility and Lords of Life.

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