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"They're of the Tuatha De, the old ones, the great people of Ireland, that's who they are!" I knew, of course, of the Tuatha De Danann, the tribes of the god Danu, the half-legendary, half-historical clan who found their home in Erin some four thousand years before the Christian era, and who have left so deep an impress upon the Celtic mind and its myths.
In the room in which I always slept when I visited there, these wooden walls were of pale green; the tiles were of blue and white, and afforded me endless study and perplexity, being painted with a series of half-allegorical, half-historical, half-Scriptural representations which might well have puzzled an older head than mine.
His present work, certainly, is not a fair specimen of what he is able to accomplish, and its failure, or partial success, ought only to inspirit him for further effort." The "half-historical ground" he had chosen had already led him to the entrance into the broader domain of history. The "further effort" for which he was to be inspirited had already begun.
His present work, certainly, is not a fair specimen of what he is able to accomplish, and its failure, or partial success, ought only to inspirit him for further effort." The "half-historical ground" he had chosen had already led him to the entrance into the broader domain of history. The "further effort" for which he was to be inspirited had already begun.
News has just reached us from Paris of the death of Madame Sophie Gay. She was a writer of the half-historical, half-sentimental school of French fiction, of which Madame de Genlis, the Duchess d'Abrantes, and Madame de Souza were specimens more or less worthy; but in ease and grace, Madame Gay was superior to all we have mentioned.
No reader of early medieval chronicles and sermons, can fail to have been struck with many passages which ascribe majesty and power to beings of woman's sex. Now it is a heathen goddess as Diana; now some half-historical character as Bertha; now a mythical being as Holda; now Herodias; now Satia; now Domina Abundia, or Dame Habonde .
"He dwells, perhaps, too long and fondly upon his imagination of the landscape as it was before the stillness of the forest had been broken by the axe of the settler; but the picture is so finely drawn, with so much beauty of language and purity of sentiment, that we cannot blame him for lingering upon the scene. . . . The story is not managed with much skill, but it has variety enough of incident and character, and is told with so much liveliness that few will be inclined to lay it down before reaching the conclusion. . . . The writer certainly needs practice in elaborating the details of a consistent and interesting novel; but in many respects he is well qualified for the task, and we shall be glad to meet him again on the half-historical ground he has chosen.
"He dwells, perhaps, too long and fondly upon his imagination of the landscape as it was before the stillness of the forest had been broken by the axe of the settler; but the picture is so finely drawn, with so much beauty of language and purity of sentiment, that we cannot blame him for lingering upon the scene. . . . The story is not managed with much skill, but it has variety enough of incident and character, and is told with so much liveliness that few will be inclined to lay it down before reaching the conclusion. . . . The writer certainly needs practice in elaborating the details of a consistent and interesting novel; but in many respects he is well qualified for the task, and we shall be glad to meet him again on the half-historical ground he has chosen.
The sculptures and carvings on the pillars and facades half-fabulous, half-historical figures, conveying ingenious allegories of the triumph of virtue over the passions constituted a singular tribute to the exemplary fame of the high-priest. The grounds were planted with trees and shrubs, and the walks gravelled, thus inviting the contemplative recluse to tranquil, soothing strolls.
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