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Updated: May 22, 2025
Dalla had turned on the telescreen again; after tuning out a dance orchestra and a comedy show, she got the image of an angry-faced man in evening clothes. "... And I'm going to demand a full investigation, as soon as Council convenes tomorrow morning!" he was shouting.
Thalvan Dras had gotten Vall and Dalla into the small group around him, along with pudgy, infantile-faced Brogoth Zaln, his confidential secretary, and Javrath Brend, his financial attorney. "I don't see why they're making such a fuss about it," one of the Banking Cartel people was saying. "Causing a lot of public excitement all out of proportion to the importance of the affair.
"That's where you'll really strike it rich." Vall and Tortha Karf both turned abruptly and looked at her for an instant. "Go on," Tortha Karf encouraged. "This sounds interesting." "The people back of this," Dalla said, "are definitely classifiable as criminals.
It was a good weapon to use outtime for that reason, also; even on the most civilized time-line, the most elaborate autopsy would reveal no specific cause of death. "What's the Esaron Sector like?" Dalla asked, as the conveyer dome around them coruscated with shifting light and vanished.
Now he had a very fair and lovesome lady to wife, by name Mistress Tessa, who was the daughter of Mannuccio dalla Cuculia and was exceeding discreet and well advised.
You can locate the base time line from the settings of the instrument panel, and that's what we want most of all." Dalla and the police psychist, having finished with and dismissed their subject, came over to the long table. "... That poor creature," Dalla was saying. "What sort of fiends are they?"
Kholghoor Sector, Wizard Traders and all. How'd it happen?" Dalla rolled over to allow Rendarra to rub the blue-green grease on her back. "Consolidated Outtime Foodstuffs let a gang of reporters in, today. I think they're afraid somebody will accuse them of complicity, and they want to get their side of it before the public.
At Venice, in 1881, she exhibited a graceful, well-executed work called "Caldanino della Nonna." "Di Ritorno dalla Chiesa" appeared at Milan in the same year. The latter, which represented a charming young girl coming out of church, prayer-book in hand, is full of sentiment. She sent to Turin, in 1884, "Popolana," which was much admired. Her portraits are said to be exceedingly life-like.
The car landed, and he helped Dalla out. "I suppose both you and he know how many chances against one he has of finding anything." They went over to an antigrav-shaft and floated down to the floor on which Tortha Karf had a duplicate of the office in the Paratime Building on Home Time Line. "It's the only chance we have, though."
Accordingly, he too, like Shakespeare and Shelley, leaves versified airs, like Dalla sua pace, or Gluck's Che fare senza Euridice, or Weber's Leise, leise, which are as dramatic from the first note to the last as the untrammelled themes of The Ring. In consequence, it used to be professorially demanded that all dramatic music should present the same double aspect.
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