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Updated: June 18, 2025


And in his grave, where he lay, his head rested upon the long blonde tresses of Cosima, which he had so admired, and which, with final sacrifice, and as a last tribute, she had sacrificed to bury with him.

I need only mention musicians like Richter, Cornelius, Porges, literati like Glasenapp and Wolzogen. Many, especially women, were ready to fling to the winds all thought of personal wellbeing, and life itself. Cosima, to save him and his art, sacrificed every worldly consideration. Ludwig of Bavaria did the same, and brought his country to the verge of revolution.

He looked smaller than he really was, dwarfed, apparently, by illness, and by the wrack of pain. His huge head, the head of a genius, was bent low over the bosom of his wife Cosima. He had removed the black felt hat so as to catch the afternoon breeze full upon his loose gray locks. His broad, high curved forehead, seemed to weigh down upon his body like an ivory chest laden full of unseen jewels.

As Frau Wesendonck appeared to be particularly moved by the last act, I said consolingly that one ought not to grieve over it, as, under any circumstances, in a matter so grave things generally turned out in this way, and Cosima heartily agreed.

And in the wonderful harmony between the music and the sacred words we hear the voice of the world's conscience. I once heard someone say to Mme. Cosima Wagner that certain passages in Parsifal, particularly the chorus "Durch Mitleid wissend," had a quality that was truly religious and the force of a revelation. But I find a greater force and a more truly Christian spirit in Les Béatitudes.

She is devoted to Wagner with an all-absorbing enthusiasm, like Senta to the Flying Dutchman and she will prove his salvation, because he listens to her and follows her with keen perception." That Bayreuth with Wagner's death did not become a mere tradition, that the Wagner performances still continue there, is due to Frau Cosima. She is Bayreuth.

He seemed to be in perpetual torment. On the other hand, Cosima appeared to have lost the shyness she had evinced towards me when I visited Reichenhall in the previous year, and a very friendly manner had taken its place.

That the American prima donna elected to study with Frau Cosima shows that she must have found Wagner's widow a woman of rare temperament. Cosima was not Wagner's first love, nor even his first wife. For in November, 1836, he had married Wilhelmina Planer, the leading actress of the theatre in Magdeburg where he was musical director of opera. Her father was a spindle-maker.

For in August, 1870, the following announcement was sent out: "We have the honor to announce our marriage, which took place on the 25th of August of this year in the Protestant Church in Lucerne. Richard Wagner. Cosima Wagner, née Liszt. "August 25, 1870." When, in 1882, I attended the first performance of "Parsifal" in Bayreuth, I had frequent opportunity of seeing Wagner and Frau Cosima.

At Triebschen, near Lucerne, Wagner lived with the Von Bülow family, and began to know contentment. The relations of Wagner and Cosima rapidly grew intimate enough to torment even the idolatrous Von Bülow. Riemann says: "Domestic misunderstandings led, in 1869, to a separation, and Von Bülow left the city."

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