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Updated: June 15, 2025


A bully called Truffaldino poses as a marchese and wins the affections of Colombina; Brighella is entrapped by a Donna Furlana into a promise of marriage; the Dottore finds himself engaged to cure half a dozen of the same sort of ladies of the maladies incident to their career; finally, Pantalone is claimed as their long-lost uncle, who was supposed to have abandoned them in their days of infant orphanage.

The volumes amounted at least to fifteen thousand in number, though the exact amount remains unknown owing to discrepancies in the earliest catalogues. Don Ferdinand hoped that the library would be kept up by the family of Columbus. Owing chiefly to the generosity of Queen Isabella and the Duc de Montpensier the library of 'La Colombina' has been restored to prosperity, although according to Mr.

The men wore modern shirts and trousers and long-tailed coats, or rather dressing-gowns, that had once been as good as those worn by Pharaoh and his prime minister. Turiddu told me they were Pasquino and Onofrio, and the woman, who seemed to be just an ordinary woman out of the market with an apron, was Colombina. But the people give Pasquino the pet name of Peppinino and call the woman Rosina.

In the sixteenth century mention is made of a troupe of performers known as Amorosos or Innamortos, appearing in Italy. Those who only appeared in the female parts were known as Colombina, Oliva, Fianetta, Pasquella, and Nespella. Columbina's part, the "accomplished companion," like the Vita of the Indian Drama, was sometimes that of mistress, and sometimes that of maid.

Ariel fulfils his office, and is not of one kind with those he serves. Is there a memory of Harlequin in that delicate figure? Something of the subservient immortality, of the light indignity, proper to Pantaleone, Brighella, Arlecchino, Colombina, and the Clown, hovers away from the stage when Ariel is released from the trouble of human things. Immortality, did I say?

That manner of man Arlecchino, or Harlequin had outlived his playmates, Pantaleone, Brighella, Colombina, and the Clown. A little of Pantaleone survives in old Capulet, a little in the father of the Shrew, but the life of Mercutio in the one play, and of the subordinate Tranio in the other, is less quickly spent, less easily put out, than the smouldering of the old man.

At a certain stage in the play, Brighella, the country clown, observes his pretended inamorata, the sham contessa, in the embrace of the pretended marchese, Truffaldino, who by his lies and flatteries has ensnared the heart of Colombina.

Horrible in a manner as it was, it would have redeemed any performance. This demon of ingenuity and wit was little more than fourteen years old, and sang like an angel of Paradise. Another of them was the Lucrezia, the Roman matron put into the short skirts, spangles, and mischievous peering glances of Colombina. Belviso would have sustained it had he been present.

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