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Updated: June 30, 2025


Of all piano music, only that of Debussy and Ravel seems as thoroughly steeped in the essential color of the medium, seems to lie as completely in the black and white keys, part of them, not imposed on them. And Scriabine, the barbarian and romanticist, is even more free of the hues of the keyboard than they, the Latins, the classicists.

The Classicists and the Moderns The literary tendency of this age was varied and could not be otherwise, for the age itself was divided between the old and the new modes.

Let us recall also that in Victor Hugo it was not only the royalist poet that Charles X. protected, it was also the chief of the romantic school; for the government, despite all the efforts of the classicists, caused Hernani to be represented at the Francais, a subsidized theatre.

Claudian is a precursor of the Renaissance in its narrower aspect; the last of the classics, he is at the same time the earliest, and one of the most distinguished, of the classicists. It might seem a mere chance whether his poetry belonged to the fourth or to the sixteenth century.

The Humanists or Classicists who for so many centuries constituted the educational elite, belonged to the past with its glories rather than to the age in which they really lived. Though standing in a modern age, they were almost blind to the great problems and opportunities it offered. They stood in bold contrast to the growth of the modern spirit in history, literature, and natural science.

For Burke belongs in spirit to the new romantic school, while in style he is a model for the formal classicists. We can only glance at the life of this marvelous Irishman, and then consider his place in our literature. LIFE. Burke was born in Dublin, the son of an Irish barrister, in 1729.

Certainly the classicists in education have a noble example here in China of what their style of education can do if only kept up long enough. On the other hand, there must be something esthetically very fine in the old Chinese literature; even many of the modern young men have a sentimental attachment to it, precisely like that which they have to the fine writing of their characters.

Nevertheless this scholastic and artificial classicism of the Ciceronian period stood to the Scipionic as repentance to innocence, or the French of the classicists under Napoleon to the model French of Moliere and Boileau; while the former classicism had sprung out of the full freshness of life, the latter as it were caught just in right time the last breath of a race perishing beyond recovery.

Twenty years after Rubens had left the studio of Van Noort he paid tribute to his old master by saying, "Had Van Noort visited Italy and caught the spirit of the classicists, his name would stand first among Flemish artists." Rubens worked four years with Van Noort and then entered the studio of Otto van Veen.

Arbuthnot," which is in truth his "Apologia," and in which alone we see Pope's life from his own view point. The "Essay on Criticism" sums up the art of poetry as taught first by Horace, then by Boileau and the eighteenth-century classicists. Though written in heroic couplets, we hardly consider this as a poem but rather as a storehouse of critical maxims.

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