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Updated: June 30, 2025
Dogmatism in the arts is what he shuns before everything God forbid that he should aspire to be numbered among those men, be they romanticists or classicists, who compose works according to their own systems, who condemn themselves to have but one form in their minds, to be forever proving something, to follow other laws than those of their temperaments and then natures.
It can not be doubted that by closing the door of rank in the face of merit, bushido checked the development of the nation. Another defect in the bushido was indifference to intellectual investigation. The schoolmen of Kyoto, who alone received honour for their moral attainments, were not investigators but imitators, not scientists but classicists.
The musician who thinks as well as feels is the one who advances his art. In the historic struggle between Wagner and the classicists Liszt played a large part.
Instead of having original thoughts, and a style of their own to express them in, these high classicists are left with a profound knowledge of the style and usage of ancient authors, a thing not to be undervalued as a step in a progress, but still essentially an anteroom of the mind.
As for our fancy of laughing while we weep, and of weeping while we laugh, as the divine Rabelais drank while he ate and ate while he drank; as for our humor, to put Heraclitus and Democritus on the same page and to discard style or premeditated phrase if any of the crew mutiny, overboard with the doting cranks, the infamous classicists, the dead and buried romanticists, and steer for the blue water!
When the important question, for example, as to how far classics should be taught in the ordinary schools was considered by the Council, it is said that only two members signed in favour of classical education, which was excessively unpopular at the moment, but the Emperor Alexander III., disregarding public opinion and the advice of his Councillors, threw his signature into the lighter scale, and the classicists were victorious.
When we admire their structural scheme we are perhaps nursing an illusion like that which sentimental classicists once cherished when they talked about the purity of white marble statues and the ideality of their blank and sightless eyes.
On the night of the first performance each side Romanticists and Classicists had packed the theatre with partisans. The air was charged with feeling; the curtain rose, but less than two lines were uttered before the pent-up passions of the audience burst forth: DOÑA JOSEFA "Serait-ce déj
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