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Updated: May 8, 2025
It was the first in our language to be written on scientific principles, and with a solid basis of fact; and the style is the very climax of that classicism which had ruled England for an entire century. Its combination of historical fact and literary style makes The Decline and Fall of the Roman Empire the one thing of Gibbon's life that is "worthy to be remembered."
So, too, standards of beauty in art change with each generation; commonly they are deduced from the practice of preceding artists. Classicism formulates rules from works that have come to be recognized as beautiful, and it requires of the artist conformity to these rules.
We hear a great deal about romanticism as contradistinguished from classicism, but it is seldom that we have the line of demarcation between the two tendencies or schools drawn for us.
In the larger study of the opera made in another place, I have attempted to show that the contest is in reality the one which is always waging between the principles of romanticism and classicism, a contest which is essentially friendly and necessary to progress.
Nevertheless this scholastic and artificial classicism of the Ciceronian period stood to the Scipionic as repentance to innocence, or the French of the classicists under Napoleon to the model French of Moliere and Boileau; while the former classicism had sprung out of the full freshness of life, the latter as it were caught just in right time the last breath of a race perishing beyond recovery.
Thus gorgeous as a champion in panoply, he rides round and round within the great circle of lodges, balancing with a graceful buoyancy to the free movements of his war-horse, while with a sedate brow he sings his song to the Great Spirit. That is the language of classicism. The epithets are not far-sought. They come naturally to the mind.
Whoever is acquainted with our present public schools well knows what a wide gulf separates their teachers from classicism, and how, from a feeling of this want, comparative philology and allied professions have increased their numbers to such an unheard-of degree."
Is there not something about this individual originality, this perfect freedom of thought and expression, that might be adapted to express the American character? And if more pleasing, why cling to the effete and cumbrous tyrannies of a soulless classicism? Why crush out all symptoms of natural growth to make room for the unsightly exotic? Nature herself has made the law that beauty is variety.
Their burly master cursed them roundly when they failed to point out to him a given number of chords of the ninth and seventh, augmented or diminished, in a selected fugue of that mad iconoclast Bach; or to mark two dozen examples of canon and counterpoint in the first act of the latest opera by the staid pillar of classicism, Richard Wagner!
What a classicism, inspired by rouge, gas-lamps, and a few lines in Lempriere, and copied, half from ancient statues, and half from a naked guardsman at one shilling and sixpence the hour! Delacroix is a man of a very different genius, and his "Medea" is a genuine creation of a noble fancy. For most of the others, Mrs.
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