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Updated: May 3, 2025
We see the Cigale tremble slightly, dilating and contracting the extremity of the abdomen in frequent palpitations. This is all that can be seen. The boring instrument, consisting of a double saw, alternately rises and sinks in the rind of the twig with a gentle, almost imperceptible movement. Nothing in particular occurs during the process of laying the eggs.
The Cigale, foreseeing his attack, empties its intestine in the eyes of its assailant and flies away. But the Cigale has a far more terrible enemy than the sparrow. This is the green grasshopper. It is late, and the Cigales are silent. Drowsy with light and heat, they have exhausted themselves in producing their symphonies all day long.
When it issues into the sunlight the future Cigale must find, often at some distance from its burrow, a suitable twig from which to hang during its metamorphosis, so that sight is obviously of the greatest utility. The maturity of the eyes, attained during the time of preparation before deliverance, proves that the larva, far from boring its tunnel in haste, has spent a long time labouring at it.
I confess it: yet muffle your cymbals, moderate your arpeggi, for the sake of your historian! The truth rejects what the fabulist tells us as an absurd invention. That there are sometimes dealings between the Cigale and the Ant is perfectly correct; but these dealings are the reverse of those described in the fable.
It is he who will preserve for future generations the absurd nonsense of which the body of the fable is constructed; the Cigale will always be hungry when the cold comes, although there were never Cigales in winter; she will always beg alms in the shape of a few grains of wheat, a diet absolutely incompatible with her delicate capillary "tongue"; and in desperation she will hunt for flies and grubs, although she never eats.
This fall is interesting, and reminds me of the persistence with which the empty husk of the Cigale braves the winds of winter, without falling from its supporting twig. The transfiguration of the locust takes place very much as does that of the Cigale. How is it then that the acridian trusts to a hold so easily broken?
One characteristic is always present, namely, the oblique direction of the woody fragment which is raised by the perforation, showing that the Cigale always works in an upright position and plunges its rostrum downwards in the direction of the twig. If the twig is regular, smooth, and conveniently long the perforations are almost equidistant and lie very nearly in a straight line.
When I wished to rear some green grasshoppers I had not far to seek for the diet of my pensioners; I fed them on Cigales, of which enormous numbers were consumed in my breeding-cages. It is therefore an established fact that the green grasshopper, the false Cigale of the North, will eagerly devour the true Cigale, the inhabitant of the Midi.
But let us get behind the branch on which it is singing; let us manoeuvre so as to avoid the five centres of vision, and then let us speak, whistle, clap the hands, beat two stones together. For far less a bird which could not see you would stop its song and fly away terrified. The Cigale imperturbably continues to sing as if nothing had occurred.
At no time does the Cigale plead starvation at the doors of the ant-hills, faithfully promising a return of principal and interest; the Ant on the contrary, harassed by drought, begs of the songstress. Begs, do I say! Borrowing and repayment are no part of the manners of this land-pirate. She exploits the Cigale; she impudently robs her.
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