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Updated: June 25, 2025
After his designs and directions, likewise, there was executed in S. Chiara at Urbino by the Florentine sculptor Bartolommeo Ammanati, who was then very young, the tomb of Duke Francesco Maria, which, for a simple work of little cost, proved to be very beautiful.
"Ay," said the man, without relaxing a muscle of his grim face. "It is the King of England my king and yours." In the small hours of the next morning I was awoke by a most unearthly sound. It was as if all the cats on all the roofs of Santa Chiara were sharpening their claws and wailing their battle-cries. Presently out of the noise came a kind of music very slow, solemn, and melancholy.
The pupil first of his father maybe, though Giovanni died when his son was but eleven years old, and later of Timoteo Viti, we hear of Raphael first in the bottega of the greatest of the Umbrian painters, Perugino, at Perugia. Two works of Perugino hang to-day in the Pitti Gallery, the Madonna and Child and the Entombment , painted in 1495, for the nuns of S. Chiara.
The walk from here, along the walls and ramparts of St. Chiara, gives a splendid view. Many other churches, some sixty in number, are well worth a visit; but, like the palaces, they require considerable time to properly appreciate them.
Most characteristic of this is the difference between the churches; and with Santa Maria de la Sede may well be contrasted the Neapolitan Santa Chiara, with its great windows, so airy and spacious, sparkling with white and gold. The paintings are almost frolicsome.
He went with me first one day to the beautiful old Church of Santa Chiara, to show me the Angevine tombs there, in which I satisfied a secret, lingering love for the Gothic; and then to the cathedral, where the sacristan showed us everything but the blood of St. Jannarius, perhaps because it was not then in the act of liquefying; but I am thankful to say I saw one of his finger-bones.
He was born at Pavia from the illicit union of Fazio Cardano, a Milanese jurisconsult and mathematician of considerable repute, and a young widow, whose maiden name had been Chiara Micheria, his father being fifty-six, and his mother thirty-seven years of age at his birth.
It was the Blessed Madonna, as Messer Pordenone had painted her in the Church of Santa Chiara at Piacenza; the dress, the lilies, the sweet pale visage, all were known to me, even the billowing cloud upon which one little naked foot was resting. I cried out in longing and in rapture, and I held out my arms to that sweet vision. But even as I did so its aspect gradually changed.
That rude and almost terrible picture of Madonna and Saints with its little scenes from the life of our Lord, stolen from the Franciscan convent of S. Chiara at Lucca, what is it to us who pass by? Yet once it listened for the prayers of the little nuns of S. Francis, and, who knows, may have heard the very voice of Il Poverello. That passionate and dreadful picture of St.
Another spoke of my little cousin over the hills, and said that she hoped soon to be going to a place called Santa Chiara in the Val Saluzzana. I got out the map in a hurry and measured the distance from there to St Anton and pored over the two roads thither the short one by the Staub Pass and the long one by the Marjolana.
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