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Updated: May 11, 2025


And then I saw the dissolving picture of Nineveh, with its ramparts now covered with mountains of sand, where Layard is digging up colossal winged bulls, huge as a mountain, and yet carved with the nicety of a cameo; and then Babylon, with its wonderful walls; and Jerusalem, with its unequalled temple; Tyrus, with its countless fleets; Arad, with its wharves; and Sidon, with its labyrinth of work-shops and factories; and Ascalon, and Gaza, and Beyrout, and farther off Persepolis, with its world of palaces.

Since they have found the end of the necklace " "The end of the necklace!" she repeated slowly. "What about the end of the necklace?" I stared at her. "Don't you remember" I leaned forward "the end of the cameo necklace, the part that was broken off, and was found in the black sealskin bag, stained with with blood?" "Blood," she said dully. "You mean that you found the broken end?

Amongst other interesting objects is the chair of Dagobert, which is supposed to be much older even than his time, and of ancient Roman fabric, the vase of the Ptolemies, the famous cameo representing the apotheosis of Augustus, the seal of Michael Angelo, and the armour of Francis I, and the admirers of vertu must be delighted with the collection of exquisitely beautiful intaglios and cameos.

We'll gather him in for billiards later." But of all those who marked him as he moved among the tables, none regarded him more closely than a lady who sat alone in a small recess, screened from prying eyes by a bank of greenery. A marvellous lady she was, with hair as black as the sweep of a raven's wing, crowning a face as finely chiselled as any Florentine cameo.

A carbine strikingly foreshortened lay across the pommel of the saddle, kept in place by the right hand grasping it at the "grip"; the left hand, holding the bridle rein, was invisible. In silhouette against the sky the profile of the horse was cut with the sharpness of a cameo; it looked across the heights of air to the confronting cliffs beyond.

The whole sentence was delivered without breath or pause, as if it was one long word. The speaker might have been the old maid as portrayed in the illustrated weekly. Nothing was lacking corkscrew curls, prunella boots, cameo brooch and chain, a gown of the antiquated Redingote type, trimmed with many small ruffles and punctuated, irrelevantly, with immovable buttons. "I am Anna Moore."

The London of 1876 boasted an extraordinary constellation of lovely women. First and foremost came the two peerless Moncreiffe sisters, Georgiana Lady Dudley, and Helen Lady Forbes. Lady Dudley was then a radiant apparition, and her sister, the most perfect example of classical beauty I have ever seen, had features as clean-cut as those of a cameo.

He at once explained to the company that the cameo represented 'Leeder and the Swan in a hambigious position, which the lady didn't profess to know nothing about. This apology, needless to say, completely re-established the lady's character. Well, recognising my friend of the Egyptian Hall, I reminded him of the incident.

She wore a sea-green dress of some soft fabric that floated in the wind as she moved, and over her shoulders was wound a white fleecy mantle fastened at the throat by a costly green cameo, which also secured a spray of lemon flowers that lavished their fragrance on the bright warm air.

Monte Cristo smiled significantly. "Stop," said Albert, "here he comes. I shall compliment Mademoiselle Danglars on her cameo, while the father talks to you." "If you compliment her at all, let it be on her voice, at least," said Monte Cristo. "No, every one would do that." "My dear viscount, you are dreadfully impertinent." Albert advanced towards Eugenie, smiling.

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