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Updated: June 6, 2025
Of course, his strict adherence to the rule he had laid down of rigidly exercising his prerogative as director led many who had written a few articles for the Revue to abandon it in disgust. Still, many even of these returned after years of separation to their old love. Buloz maintained his even course undaunted by storms of criticism.
"Sometimes," she writes from Nohant, in October, 1837, to Madame d'Agoult, then in Italy, "I am tempted to realize my capital, and come and join you; but out there I should do no work, and the galley-slave is chained up. If Buloz lets him go for a walk it is on parole, and parole is the cannon-ball the convict drags on his foot."
The new name, however, brought no fresh subscribers, and the Journal was dragging on a dreary existence when M. Auffray, the printer, bought it, and engaged his former schoolfellow, François Buloz, as editor of the new series of the Revue des Deux Mondes. His yearly salary was twelve hundred francs, and two francs for every subscriber.
Seraphita, the subject inspired by Madame Hanska and dedicated to her, was but little to the taste of Buloz the editor; and he declared to Balzac, who was making him wait for copy, that it was hardly worth while taking so long and making so much fuss over a novel which neither the public nor he, the editor, could understand. Happily the dear Werdet was at hand to arrange the difficulty.
Buloz was deaf to their remonstrances, and, struggling bravely against the enormous difficulties of his position, he managed, with the aid of a few devoted writers like M. de Mazade and Vitel, to get the Revue out regularly during all those painful, weary weeks. When at length Paris capitulated, on the 28th of January, 1871, the world first knew to what straits the Revue had been reduced.
His troubles were now constant, and he was forced to carry on a famous litigation with Buloz, director of the Revue des Deux Mondes, who had forwarded to the Revue Etrangere of St. Petersburg uncorrected proofs of the Lily of the Valley. In defending himself he was defending the common rights of all authors.
Urged by his brother and his friend M. Buloz, the director of the Revue des Deux Mondes, to try the efficacy of work, he completed his play of On ne badine pas avec l'Amour, already sketched, in which, of all his dramatic writings, the cry of the heart is most thrilling. Aided by this effort, he made a journey to Baden in September, five months after his miserable return to Paris.
Let us elevate, let us regenerate literature; let us bear it aloft to those noble spheres where the soul soars in her native majes" I was declaiming with fire, my enthusiasm was becoming more and more heated, when Henry Murger interrupted me by asking, "Do you think Monsieur Buloz will pay me in advance?"
After consulting with Mérimée, Sainte-Beuve and others, Buloz declined the proposal, and with the aid of his friends bought out the brothers Bonnaire for a sum just double that which they had offered him.
After this the Revue des Deux Mondes became hostile to Balzac; and when Buloz and Brindeau bought the Revue de Paris, a proceeding which must have been a shock to him, he believed that Brindeau would be sole director, and drew up his agreement with him alone; having already refused to have business dealings with the ever active Buloz.
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