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It is John the Baptist's message in an earlier form, and it clears the way for the evangelical message. Repentance and cleansing of life come first. But these stern requirements, if taken alone, kindle despair. 'Wash you, make you clean' easy to say, plainly necessary, and as plainly hopelessly above my reach. If that is all that a prophet has to say to me, he may as well say nothing.

The finest composition of this series is a large panel representing a double action Salome at Herod's table begging for the Baptist's head, and then presenting it to her mother Herodias. The costumes are quattrocento Florentine, exactly rendered. Salome is a graceful slender creature; the two women who regard her offering to Herodias with mingled curiosity and horror, are well conceived.

These kitindis are a sort of brass-wire bracelet worn on the lower arm by the negro females, coiled up from the wrist to the elbow, like a wax taper circling up a stick or stem. Sometimes this wire is reformed and coiled flat out round the neck to a breadth of about eight inches, and gives the wearer's head much the appearance of John the Baptist's standing in the middle of a charger.

His figures are often engaged in subjects that required great expression: yet his "Judith and Holofernes," the "Daughter of Herodias with the Baptist's Head," the "Andromeda," and even the "Mothers of the Innocents," have little more expression than his "Venus attired by the Graces."

The story of his tender love for Mary; of his devotion to the interests of his brothers and sisters; of his undefiled purity, of his long vigils on the mountains till the morning called Him back to his toils; of his deep acquaintance with Scripture; of his speech about the Father had reached the Baptist's ears.

Tis the holy Baptist's feast they hold in royalty and state, And they have closed the spacious lists beside the Alhambra's gate; In gowns of black and silver laced, within the tented ring, Eight Moors to fight the bull are placed in presence of the King.

The head is set upon a platter of gilded and jewelled silver, covered with a disc of rock crystal. The whole, though ancient, is enclosed in a modern shrine. The legend of the preservation of the Baptist's head is that Herodias, afraid that the saint might be miraculously restored to life if his head and body were laid in the same grave, decided to hide the head until this danger was past.

Clearly, the point of the symbol is the same as that presented in the Baptist's promise of a baptism 'with the Holy Ghost and fire. The Spirit was to be in them as a Spirit of burning, thawing natural coldness and melting hearts with a genial warmth, which should beget flaming enthusiasm, fervent love, burning zeal, and should work transformation into its own fiery substance.

John the Baptist's Day, after a long conference with Lagroin and Parpon, Valmond went through the village, and came to the smithy to talk with Lajeunesse.

Baptist's toast was received with loud applause, and, as he sat down amid the cheers of the company, and a universal clatter of mugs and glasses, the widow's view was no longer obstructed. Her eye wandered quickly over that riotous and disorderly assemblage, until it settled upon one group more riotous and disorderly than the rest, of which her son formed the principal figure.