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Updated: May 7, 2025
Then he went a long day's journey, past Megara, into the Attic land, and high before him rose the snow-peaks of Cithaeron, all cold above the black pine-woods, where haunt the Furies, and the raving Bacchae, and the Nymphs who drive men wild, far aloft upon the dreary mountains, where the storms howl all day long.
The scene is partly in Greece, partly at the Parthian Court, about 80-60 B.C. Crassus is the villain. The heroine was an actress in one of the wandering Greek companies, splendid strollers, who played at the Indian and Asiatic Courts. The story ends with the representation of the "Bacchae," in Parthia. The head of Pentheus is carried by one of the Bacchae in that drama.
Like Vanity Fair, the play shows us the life of people who try to do without God. The Bacchae is one of Euripides' best plays. In the absence of Pentheus the King, Cadmus and Teiresias join in the worship of the new god Dionysus at Thebes.
To suppress for a time the ordinary work-a-day consciousness, with its tedium, its checks, its balancing of pros and cons, to escape into the directness and simplicity of mere animal life, and yet to feel in this no degradation but rather a submission to the divine power, an actual identification with the deity-such, it would seem, was the intention of those extraordinary revels of which we have in the "Bacchae" of Euripides so vivid a description.
The people in that part of the world forgot to celebrate the Cerealia, and Triptolemus paid them with a harvest not worth the gathering. At all events, the trade is so grown that it will not brook interruption a day. Ye may also have heard of the Chersonesan pirates, nested up in the Euxine; none bolder, by the Bacchae!
A number of difficult passages in Euripides' Bacchae and other Dionysiac literature find their explanations when we realize how the god is in part merely identified with the inspired chief dancer, in part he is the intangible projected incarnation of the emotion of the dance.
And yet as a fresh corroboration of what I am trying to say how fearfully has that noble gift to man been abused for the same end as a hundred other vegetable products, ever since those mythic days when Dionusos brought the vine from the far East, amid troops of human Maenads and half-human Satyrs; and the Bacchae tore Pentheus in pieces on Cithaeron, for daring to intrude upon their sacred rites; and since those historic days, too, when, less than two hundred years before the Christian era, the Bacchic rites spread from Southern Italy into Etruria, and thence to the matrons of Rome; and under the guidance of Poenia Annia, a Campanian lady, took at last shapes of which no man must speak, but which had to be put down with terrible but just severity, by the Consuls and the Senate.
Both monarchs had a good knowledge of the Greek literature and language, in which Artavasdes had himself composed historical works and tragedies. The actors were representing the famous scene in the "Bacchae" of Euripides, where Agave and the Bacchanals come upon the stage with the mutilated remains of the murdered Pentheus, when the head of Crassus was thrown in among them.
Dionysus himself comes in to point out that this tragedy is the result of the indignity which Thebes put upon him and his mother Semele. Broken with grief, Agave passes out slowly to her banishment. The Bacchae was composed in Macedonia; it contains all the mystery of the supernatural. Dionysus' character is admirably drawn, while the infatuation of Pentheus is a fitting prelude to his ruin.
Once in Corinth Demetrius the Cynic found some illiterate person reading aloud from a very handsome volume, the Bacchae of Euripides, I think it was.
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