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Updated: June 27, 2025
But before attempting to apply his specific knowledge or aptitude to the new field for investigation, he should be made aware of some of the wider questions which the study of poetry involves. The first of these questions has to do with the relations of the study of poetry to the general field of Aesthetics. The Study of Poetry and the Study of Aesthetics
He did not know the German language, but he was at home in German music, and had studied a great deal of German literature in translation; just then he was reading Hegel's "Aesthetics," the abstractions in which veritably alarmed him, and to which he very much preferred modern French Art Philosophy.
It may be due to other sources as well, but it seems to the present writer that the moral density shown by some of these birthright Quakers, upon matters outside of their wonted and trodden ethical territories, is due to their long refusal to recognize aesthetic values, and to see discriminations in the field in which ethics and aesthetics are interwoven.
It will be said that the objects that provoke this emotion vary with each individual, and that therefore a system of aesthetics can have no objective validity. It must be replied that any system of aesthetics which pretends to be based on some objective truth is so palpably ridiculous as not to be worth discussing. We have no other means of recognising a work of art than our feeling for it.
The company's agents will begin by convincing her that she does not need half the things she has lumbered up her house with, and that every useless thing is an ugly thing, even in the region of pure aesthetics.
It is our purpose after the previous discussion to attempt to elucidate still further the idea of art by following its historic development. Many questions bearing on art and relating to the beautiful had been propounded before, even as far back as Plotinus, Plato, and Socrates, but recent times have been the real cradle of aesthetics as a science.
Finally, aesthetic theory may have a favorable influence upon the creation of art. Not that the student of aesthetics can prescribe to the artist what he shall or shall not do; for the latter can obey, for better or worse, only the inner imperative of his native genius.
O posterity, above all things do not forget our gothic salons, our Renaissance furniture, M. Pasquier's discourses, the shape of our hats, and the aesthetics of La Revue des Deux Mondes! While we were pondering upon these lofty philosophical considerations, our wagon had hauled us over to Tiffanges.
Some of them have begun to apply their cogent methods to aesthetics; and when we tell them what we feel for pure form they assure us that, in fact, we feel nothing of the sort. This argument, however, has always struck me as lacking in subtlety.
His unerring feeling and cultured mind served him as a guide in morals as well as in aesthetics. His ideal was a kind of natural religion, in which God appears as the ultimate source of the beautiful and hardly as a being having any other relation to man. His conduct was most beautiful in all cases involving duty and gratitude.
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