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Updated: June 16, 2025


Alfred observed that those who complained of an actress's having too much art should rather complain of her having too little of her not having art enough to conceal her art. The chief justice honoured Alfred by a nod and a smile. The lady, however, protested against this doctrine, and concluded by confessing that she always did and always should prefer nature to art.

With an actress's pencil she had slightly altered the line of her eyebrows, and that, taken in conjunction with the new luxuriant growth of fair hair above, so changed her appearance that she felt confident that even if she came face to face with Whittington he would not recognize her. She would wear elevators in her shoes, and the cap and apron would be an even more valuable disguise.

No one has heard of any actor's or actress's appearance, even in the last century, as one of the personages in "Troilus and Cressida." Its name has not been upon the playbills for generations, although even "Love's Labor's Lost" has once in a while been performed.

Just as I was leaving, Therese took me to the closet where the two children were sleeping. I knew what she was thinking of; but all that was over long ago; I could think of no one but Esther. The next day I found the burgomaster's son at my actress's house. He was a fine young fellow of twenty or twenty-one, but totally devoid of manner.

She was too much in the mood of a moralist to see the play merely as a work of art; she could not keep her mind from reverting to matters having nothing to do with the play, such as the versatility of an actress's domestic relations.

It was impossible for my carriage to get near, so I've had to come on foot through all those horrid people who have been jostling and insulting me." Thereupon Duthil, with all promptitude, introduced Silviane to her, adding, in an aside, that he had taken a friend's place as the actress's escort.

There, among strangers, she was to be perfected in the actress's and the singer's art; then to return to England, and make the fortune of her family on the lyric stage. Such were the prospects of the two as they sat together in the cabin of the Indiaman locked fast in each other's arms, and crying bitterly.

Being a lady of courage and resource, she filled her new rôle with perfect success, and completely outwitted her envious rivals. The victory was snatched, by the actress's own energy, from the very jaws of Liberty. Far more unfortunate was the fate of M. Gorki, who visited America to preach the gospel of Freedom, as he thought, in willing ears.

The master had forgotten his lame leg and thrown his stick away; he was on his knees, taking the actress's measure for a pair of high boots with patent tops and concertina-like folds in the legs. She had a hole in the heel of her stocking, but she only laughed over it; one of the actors cried "Poached egg!" and then they laughed uproariously.

But then, she was beautiful, not only lovely: destiny had marked her for a high career; to leave her as she was would be to miscast one who deserved to play the great tragic part, which cannot be played without the actress's heart beating at the prospect of so great a rôle. Oh, there was no going back! But he perceived he must be very clever about it.

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