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Updated: June 7, 2025
Committees were appointed to examine the ancient records of the realm. The first case reported was that of the year 1217: much importance was attached to the cases of 1326, of 1377, and of 1422: but the case which was justly considered as most in point was that of 1455. Thus in our country the dearest interests of parties have frequently been on the results of the researches of antiquaries.
Fra Angelico lived until 1455, and yet his pictures belong wholly to the Gothic period; so also do those of other Gothic painters whose lives overlap the Early Renaissance in point of time. It is the spirit of the art that definitely determines its place, although the general dates help one to remember. His composition is similar to that of Masaccio.
By 1455 he had arrived at Paris and entered upon his studies for the theological degree.
This alarm appears to have soon subsided; for, in the year 1455, King Henry VI, by advice of his council and parliament, granted four successive patents and commissions to several knights, citizens of London, chemists, monks, mass-priests, and others, to find out the philosopher's stone and elixir, "to the great benefit," said the patent, "of the realm, and the enabling of the King to pay all the debts of the Crown in real gold and silver."
Foremost among the painters of this period was FRA ANGELICO, or to give him his proper title, Frate Giovanni da Fiesole, who was born in 1387 not far from Florence, and died in 1455. When he was twenty years old he joined the order of the preaching friars, and all his painting is devoted to religious subjects. He was a man of the utmost simplicity, and most holy in every act of his life.
If it be said that Bracciolini wrote a History of Florence, and that these remarks which, unquestionably, refer to some "history" from the expression "describendi gesta illius," apply to that work, it must be borne in mind that he did not write that history until towards the close of his life, that is, more than thirty years after these letters which passed between him and Niccoli, for the events recorded in his History of Florence are carried down to as late as the year 1455; that that historical work is the only one he wrote under his own name; that it is no more written in imitation of the ancients, than any other of his acknowledged productions; and that even if it were, he would not have required for its composition such maps as Ptolemy's, nor such works as those of Suetonius and Plutarch.
Peter Martir, or Martyr, of whose writings much use has been made in this history, was born at Anghierra, in the territory of Milan, in Italy, on the second of February, 1455. He is commonly termed Peter Martyr of Angleria, from the Latin name of his native place. He is one of the earliest historians that treat of Columbus, and was his contemporary and intimate acquaintance.
He died in a moment of misfortune for Europe in 1455, just after the fall of Constantinople, being succeeded on the throne of Christendom by Pius II, Pius Aeneas as he called himself in a moment of enthusiasm, one of the most human of all those men of the world who have become the vicegerent of Jesus. Nicholas V was not a man of the world, he was a scholar, full of the enthusiasm of his day.
He reached the highest point of his prosperity in 1455, when the Republic of S. Mark elected him General-in-Chief of their armies, with the fullest powers, and with a stipend of 100,000 florins. For nearly twenty-one years, until the day of his death, in 1475, Colleoni held this honourable and lucrative office.
It is smaller and more gloomy, and its columns are almost black with age; it was here, in 1455, that Pannartz and Schweinheim, two of those nomadic German scholars who have not yet forgotten the road to Italy, established their printing-press in the house of Pietro de' Massimi, and here took place one of those many romantic tragedies which darkened the end of the sixteenth century.
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