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Updated: June 16, 2025


Under this, the last of the larger frescoes, is a recess, in which was formerly the sarcophagus containing the bones of Pietro Parens, the patron saint of Orvieto. In this recess, under the brackets on which the sarcophagus stood, Signorelli has painted one of his most beautiful "Piet

When in a series of subjects from the life of the Virgin, so often met with in religious prints and in the Roman Catholic churches, we find her death and her assumption followed by her coronation; when the bier or sarcophagus and the twelve apostles appear below, while heaven opens upon us above; then the representation assumes a kind of dramatic character: it is the last and most glorious event of her history.

Directly she gave a kind of shudder, and I began to learn something. "'Jeff, she says, 'I'm sorry you spoke. I like you as well as any of them, but there isn't a man in the world I'd ever marry, and there never will be. Do you know what a man is in my eye? He's a tomb. He's a sarcophagus for the interment of Beafsteakporkchopsliver'nbaconham- andeggs. He's that and nothing more.

The persons who chiselled the figures in the procession which fills the two principal sides of the sarcophagus were the pupils of Grecian statuaries; they understood how to introduce variety into the attitudes of those whom they represented, and even into the movements of the horses.

The sarcophagus might be a mighty block of granite, enclosing a wooden case, and that again another case, probably carved and gilt, and finally, as a kernel, there was the body of the king, preserved and dried by spices, lying awaiting the final resurrection.

Against the south wall, in the fourth bay from the west, is the monument of John, Lord Henniker , who died in 1803. Over the sarcophagus in relief Honour is crowning Benevolence, while a medallion of the deceased, with a coronet and an unfolded patent of peerage, and his coat of arms are seen against the base. This monument was erected by J. Bacon, jun., in 1806, and is signed with his name.

In the Campo Santo at Pisa may still be seen a sarcophagus representing the story of Hippolytus and Phaedra, where once reposed the dust of Beatrice, the mother of the pious Countess Matilda of Tuscany. Studying the heroic nudities and noble attitudes of this bas-relief, Niccola rediscovered the right way of art not by merely copying his model, but by divining the secret of the grand style.

To the eyes of an old Egyptian, no object could be more grateful than the sarcophagus in which he was to repose at death. He purchased it as early in life as he could raise the means, and displayed it in his parlor as an attractive and costly ornament.

Her lord and lover, because he was a man and an emperor, was entitled to a larger sarcophagus, a span loftier and a span longer. Both of the cenotaphs are embellished with inlaid and carved Arabic inscriptions.

The cotillon was led by Count Deym and Count Bergen, and they led it to perfection; there was not a hitch anywhere. Every one was animated and gay; certainly the music was inspiring enough to have made an Egyptian mummy get out of his sarcophagus and caper about. When at last he made up his mind to start nothing short of an earthquake could have stopped him.

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