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Updated: June 15, 2025
On the stairs are a series of fine bas-reliefs by Bandinelli and Giovanni dell' Opera from the old choir screen of the Duomo, and downstairs, among many other pieces of sculpture, is a bust of Brunelleschi from a death-mask and several beautiful della Robbia designs for lunettes over doors. The Campanile and the Baptistery
The whole of this vault and the lunettes beneath were painted by Lanini; so runs the tradition of the fresco-painter's name; and though much injured by centuries of outrage, and somewhat marred by recent restoration, these frescoes form a precious monument of Lombard art. The object of the painter's design seems to have been the glorification of Music.
In the early days of the movement the Prince, in order the better to test and encourage a new development of art in this country, gave orders for a series of fresco paintings from Milton's "Comus," in eight lunettes, to decorate a pavilion in the grounds of Buckingham Palace. Among the painters employed were Landseer, Maclise, Leslie, Uwins, Dyce, Stanfield, &c. &c.
He struck each chord of what may be called the poetry of figurative art, from the epic cantos of Creation, Fall, and Deluge, through the tragic odes uttered by prophets and sibyls down to the lyric notes of the genii, and the sweet idyllic strains of the groups in the lunettes and spandrels. It cannot be said that even here Michelangelo felt the female nude as sympathetically as he felt the male.
Round the sacristy, below the lunettes of the vaulting, is drawn a frieze four feet high, and divided into compartments, wherein are painted in the monastic habit various Emperors, Kings, Dukes, and other Princes, who have abandoned the States and Principalities that they ruled, and have become monks.
On one of the two walls he painted the Nativity of Jesus Christ, with some Shepherds, and Angels that are singing over the hut, and on the other the Resurrection of Christ, with many soldiers in various attitudes about the Sepulchre; and above each of those scenes, in certain lunettes, he executed some large Prophets.
Moreover, in the lunettes and the arches over the windows other figures of grace, power, and beauty appear and throng, the ancestors of the Christ, thoughtful mothers with lovely nude infants, men with wondering eyes peering into the future, representatives of the punished weary race longing for the promised Redeemer; while in the pendentives of the four corners various biblical episodes, the victories of Israel over the Spirit of Evil, spring into life.
Under the before-mentioned cornice which finishes the walls, and above the brackets where the lunettes rest, between pilaster and pilaster, sit twelve large figures—prophets and sybils—all truly wonderful, as much for their grace as for the decoration and design of their draperies.
It also transpired that the same thing had occurred with General McPherson, who lost in this second assault some most valuable officers and men, without adequate result; and that General McClernand, instead of having taken any single point of the rebel main parapet, had only taken one or two small outlying lunettes open to the rear, where his men were at the mercy of the rebels behind their main parapet, and most of them were actually thus captured.
These twelve figures are introduced as heralds and pioneers of Christ the Saviour, whose presence on the earth is demanded by the fall of man and the renewal of sin after the Deluge. In the lunettes above the windows and the arched recesses or spandrels over them are depicted scenes setting forth the genealogy of Christ and of His Mother.
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