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She kept away and he died quite alone, few caring that he was dead and no one taking the trouble to follow him to his grave. Thus one of the greatest of Florentine painters lived and died. Years after his death, the artist Jacopo da Empoli, was copying Andrea's "Birth of the Virgin" when an old woman of about eighty years on her way to mass stopped to speak with him.

Jacopo poor Jacopo! thou shalt be my servitor I am lord of my own seignories, and once rid of this specious Republic, I charge myself with the care of thy safety and fortunes. Be at peace as respects thy conscience: I have interest near the Holy See, and thou shalt not want absolution!" The gratitude of the Bravo was more vivid in feeling than in expression.

Meanwhile the Florentine colony had begun their church in the Strada Giulia, behind the Banchi, from the design of Jacopo Sansovino.

After this, Cardinal Alborense, wishing to leave a memorial of himself in the church of his nation, caused a chapel of marble, with a tomb for himself, to be erected and brought to completion by Antonio in S. Jacopo degli Spagnuoli; which chapel, as has been related, was all painted in the spaces between the pilasters by Pellegrino da Modena, and on the altar stood a most beautiful S. James of marble executed by Jacopo Sansovino.

The prisoner looked bewildered, for the failing of nature rendered that obscure which was once so evident to his mind. After gazing long at his son, his eye wandered between him and the wall, and he smiled childishly. "Wilt thou look, good boy, if the spider is come back?" Jacopo groaned, but he rose to comply. "I do not see it, father; the season is not yet warm."

He occupied himself with niello and with making larger works, such as some figures in silver, whereof two, half-length prophets, are placed at the head of the altar of S. Jacopo in Pistoia; these figures, which are held very beautiful, were wrought by him for the Wardens of Works in that city; and he made works in low-relief, wherein he showed that he had so great knowledge in his vocation that his intellect must needs overstep the bounds of that art.

Giovan Maria Benintendi, about this same time, had adorned an antechamber in his house with many pictures by the hands of various able men; and after the work executed for Borgherini, incited by hearing Jacopo da Pontormo very highly praised, he caused a picture to be painted by him with the Adoration of the Magi, who went to Bethlehem to see Christ; which work, since Jacopo devoted to it much study and diligence, proved to be well varied and beautiful in the heads and in every other part, and to be truly worthy of all praise.

That was a dreadful proposal to Jacopo, and to the priest also; but they were both under a peculiar influence forcing them to obey. The suspicion that Romola was a supernatural form was dissipated, but their minds were filled instead with the more effective sense that she was a human being whom God had sent over the sea to command them.

The look of the prisoner changed from one to the other, and he made an effort to rise, but debility caused him to fall backwards, and not till then did Jacopo perceive the impracticability, on many accounts, of what, in a moment of excitement, he had proposed. A long silence followed.

At the same time, also, in order to divert himself, and wishing to see how he would succeed in casting, he made many little figures in the round, two-thirds of a braccio in height, as of Hercules, Venus, Apollo, Leda, and other fantasies of his own, which he caused to be cast in bronze by Maestro Jacopo della Barba of Florence; and they succeeded excellently well.