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Diotisalvi, noticing the popular excitement against Piero, occasioned by his own advice, obtained an interview with Luca Pitti, Agnolo Acciajuoli, and Niccolo Soderini, and they resolved to unite their efforts to deprive him both of the government and his influence.

Diotisalvi, the better to conceal his design, frequently visited Piero, conversed with him respecting the union of the city, and advised him to effect it.

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He then addressed himself to Diotisalvi and his brothers, who were present, reminding them with grave indignation, of the benefits they had received from Cosmo, the confidence he had reposed in them and their subsequent ingratitude; and his words so strongly excited some present, that had he not interfered, they would certainly have torn the Neroni to pieces on the spot.

These transactions alarmed the leaders of the opposite faction, and Agnolo Acciajuoli fled to Naples, Diotisalvi Neroni and Niccolo Soderini to Venice. Luca Pitti remained in Florence, trusting to his new relationship and the promises of Piero. The refugees were declared rebels, and all the family of the Neroni were dispersed.

Diotisalvi Neroni and Niccolo Soderini strenuously urged the Venetian senate to make war upon their country, calculating, that in case of an attack, the government being new and unpopular, would be unable to resist. At this time there resided at Ferrara, Giovanni Francesco, son of Palla Strozzi, who, with his father, was banished from Florence in the changes of 1434.

As this attempt had not occasioned any tumult in Florence, contrary to the rebels' expectation, and the troops they had hired were in want of pay, terms of peace were proposed, and easily arranged. The revolted Florentines, thus deprived of hope, dispersed themselves in various places. Diotisalvi Neroni withdrew to Ferrara, where he was received and entertained by the Marquis Borso.

Some little soldiers in dingy uniforms, ill-cut and ill-fitting, stood about gates and doors. On the first floor were the apartments occupied by his Excellency. Don Silverio was kept waiting for some time in a vestibule of fine proportions painted by Diotisalvi, with a colossal marble group in its centre of the death of Caesar. He looked at it wistfully.

Upon the demise of Cosmo, his son Piero, being heir to the wealth and government of his father, called to his assistance Diotisalvi Neroni, a man of great influence and the highest reputation, in whom Cosmo reposed so much confidence that just before his death he recommended Piero to be wholly guided by him, both with regard to the government of the city and the management of his fortune.

Upon examination of these accounts the affairs were found to be in great disorder, and Diotisalvi, instigated rather by his own ambition than by attachment to Piero or gratitude to Cosmo, thought he might without difficulty deprive him of both the reputation and the splendor which his father had left him as his inheritance.