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The height of his enthusiasm for natural beauty was reached during his stay on Monte Amiata, in the summer of 1462, when plague and heat made the lowlands uninhabitable. Half way up the mountain, in the old Lombard monastery of San Salvatore, he and his court took up their quarters.
In the year 1462, three Genoese gentlemen, of whom Antonio de Noli was the chief, the others being his brother and nephew, got permission from Don Henry to take possession of the Cape de Verde islands, which some believe to be those called Gorgades, Hesperides, and Dorcades, by the ancients. But they named them Mayo, Saint Jago, and Saint Philip, because discovered on the days of those saints.
A want of space is peculiarly injurious to the architecture of this date, 1462, which, itself geometrical and spatial, demands a certain harmony and liberty in its surroundings, a proportion between the room occupied by each building and the masses of the edifice. The style is severe and prosaic.
To this age is referred the epic, "Igor's Expedition against the Polovtzi," discovered in the eighteenth century, a work characterized by uncommon grace, beauty, and power. From 1238 to 1462 A.D. the Russian princes were vassals of the Mongols, and during this time nearly every trace of cultivation perished. At this early period the first germs of dramatic art were carried from Poland to Russia.
Pier di Cosimo was the head man, and eldest of all; with such ties was he bound to his master and godfather, that he was known better as Cosimo's Peter than by his own patronymic of Chimenti. He was at this time twenty-two years of age, his registry in the Florentine Guild proves his birth in 1462, as the son of Lorenzo, son of Piero, son of Antonio, Chimenti.
On the other side they were to make no execution or arrest within the precinct of the monastery and the palace of the bishop, except the same should be specially required of the bishop or prior whenever the same was made. Similar rights were granted to the dignitaries of other cities about this time. For instance, in 1447 they were conceded at Exeter, and at Worcester in 1462.
SECTION XXVII. By reference to the figure the reader will see that we have now gone the round of the palace, and that the new work of 1462 was close upon the first piece of the Gothic palace, the new Council Chamber of 1301.
The king of Granada soon recaptured it; from him it was taken by treachery by the king of Fez in 1333; Alfonso XI. of Castile vigorously besieged it, but in vain; the king of Granada mastered it again in 1410; and it finally fell into the hands of Spain in 1462.
The treatment of women was quite oriental. In 1462 girls above the age of twelve were not allowed outside the house, and were seen only by their relations and by ecclesiastics; and, of course, marriages were arranged by the parents. In the theatre, only noble women and those of the citizen class were admitted. The sumptuary laws were strict.
The khans themselves played into the hands of their foes. Russia was slowly but surely casting off her fetters, and deliverance was at hand. Ivan III., great-grandson of Dmitri Donskoi, ascended the throne in 1462, nearly two centuries and a half after the Tartar invasion. During all that period Russia had been the vassal of the khans. Only now was its freedom to come.
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