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Updated: May 29, 2025
The dates assigned to the later kings, from Vul-lush II., to Esarhaddon inclusive, are derived from the Assyrian Canon taken in combination with the famous Canon of Ptolemy. The agreement between these documents, and between the latter and the Assyrian records generally, is exact; and a conformation is thus afforded to Ptolemy which is of no small importance.
Asshur-dayan, the first monarch of this group, probably ascended the throne about B.C. 930, shortly after the separation of the two kingdoms of Israel and Judah. He appears to have reigned from about B.C. 930 to B.C. 911. He was succeeded in B.C. 911 by his son Vul-lush II., who held the throne from B.C. 911 to B.C. 889. Nothing is known at present of the history of these two monarchs.
For it is quite possible that the Sammuramit married to Vul-lush III., was a Babylonian princess, the last descendant of a long line of kings, whom the Assyrian monarch wedded to confirm through her his title to the southern provinces; in which case a portion of his subjects would regard her as their legitimate sovereign, and only recognize his authority as secondary and dependent upon hers.
Vul-lush set up two statues to Nebo at Calah and probably built him the temple there which was known as Bit-Siggil, or Beth-Saggil, from whence the god derived one of his appellations. He did not receive much honor from Sargon; but both Sennacherib and Esarhaddon held him in considerable reverence, the latter even placing him above Merodach in an important invocation.
We cannot suppose that Assyrian art was incapable, under the third Vul-lush, of a higher flight than these statues indicate; we must therefore regard them as conventional forms, reproduced from old models, which the artist was bound to follow.
It would appear by this that Tiglath-Pileser at this time penetrated deep into Palestine, probably to a point which no Assyrian king but Vul-lush III., had reached previously.
The later kings, Sargon and his successors, maintain the worship introduced by Vul-lush. Sargon habitually regards his power as conferred upon him by the combined favor of Merodach and Asshur, while Esarhaddon sculptures Merodach's emblem, together with that of Asshur, over the images of foreign gods brought to him by a suppliant prince.
Beyond the fact that the principal queen of Vul-lush III., was named Semiramis, and the further fact, implied in her being mentioned at all, that she had a recognized position of authority in the country, we can only conclude, conjecturally, from the exact parallelism of the phrases used, that she bore sway conjointly with her husband, either over the whole or over a part of his dominions.
Among all the monuments recovered by recent researches, the only works of art assignable to the reign of Vul-lush are two rude statues of the god Nebo, almost exactly resembling one another. From the representation of one of them, given on a former page of this volume, the reader will see that the figures in question have scarcely any artistic merit.
The Assyrians worshipped their gods chiefly with sacrifices and offerings, Tiglath-Pileser I., relates that he offered sacrifice to Anu and Vul on completing the repairs of their temple. Asshur-izir-pal says that he sacrificed to the gods after embarking on the Mediterranean. Vul-lush IV, sacrificed to Bel-Merodach, Nebo, and Nergal, in their respective high seats at Babylon, Borsippa, and Cutha.
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