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Updated: June 28, 2025


It seemed so wholly incredible that I began counting Vogelstein's heavy respirations, to make sure I was really awake. Then the pale, tense mask of Brush so isolated in the apoplectic row across the table calmed me. That he was Vogelstein's or anyone's tool was unthinkable. Mercenary suspicions, to be sure, had been put about, but those who knew him merely laughed at such a notion.

Well, that's settled, and if these gentlemen will spare you, I'll give you a lift down town." Vogelstein's arrogance melted once more into fulsomeness as he said, almost forgetting his Goodnight to us, "I'm sure it's very good of you, Mr. Morrison."

Vogelstein's servant had secured a porter with a truck, and he was about to leave the place when he saw Pandora Day dart out of the crowd and address herself with much eagerness to the functionary who had just liberated him. She had an open letter in her hand which she gave him to read and over which he cast his eyes, thoughtfully stroking his beard.

I make no claims, offer no guarantee for the picture. You have seen it, and that's enough. Morrison sat impassively while Vogelstein watched him narrowly. Brush and I felt for something that ought to be said yet would not come. At the end of his speech, or challenge, Vogelstein's expression had softened into one of the most courtly ingenuousness, now it hardened again into a strange arrogance.

They told me in K Street where you were, and I thought I'd come down and meet you." "Charming attention!" said Pandora Day with the laugh that seemed always to invite the whole of any company to partake in it; though for some moments after this she and her interlocutor appeared to continue the conversation only with their eyes. Meanwhile Vogelstein's also were not idle.

"Pandora" that was in the highest degree typical; it placed them in the social scale if other evidence had been wanting; you could tell that a girl was from the interior, the mysterious interior about which Vogelstein's imagination was now quite excited, when she had such a name as that.

And Vogelstein's Semitism was of the archaic, potent, monumental type. His abundant fat looked hard. For all the sagging double chin, his jaw retained the character of a clamp. Among the strong race of art dealers he was feared. Whole collections not single objects were his quarry.

Now there was nothing strange about Vogelstein's selling it, nor yet about Morrison's buying it; only the making of it by the illiterate Sarafoff and the silence of Brush when it was sold required explanation. Vogelstein, who breathed heavily beside me, undoubtedly held the secret.

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