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Updated: June 8, 2025
Vitruvius in his fifth book explains the ground-plan of such buildings. They were almost always on the same model, differing in material and size. On one occasion two whole theatres of wood, placed back to back, were made to turn on a pivot, and so being united, to form a single amphitheatre.
According to Vitruvius, this famous architect, having provided himself with recommendatory letters to the principal personages of Alexander's court, set out from his native country with the hope of gaining, through their means, the favor of the monarch.
After the triumph, Vitruvius, with his accomplices, having been put to death, the consul thought that all being now fully gratified by the sufferings of the guilty, allusion might be safely made to the business of the Privernians, he spoke in the following manner: "Conscript fathers, since the authors of the revolt have received, both from the immortal gods and from you, the punishment so well merited, what do ye judge proper to be done with respect to the guiltless multitude?
Such was the temple of the Greeks, reappearing in all the architectures of nations, from the Romans to our own times, so perfect that no improvements have subsequently been made, no new principles discovered which were not known to Vitruvius. What a creation, to last in its simple beauty for more than two thousand years, and forever to remain a perfect model of its kind!
Vitruvius, De Architectura. Pliny the Elder, Historia Naturalis, xxxvi. Pausanias, Ἑλλαδος
Vitruvius, the greatest authority among the ancients in architecture, says that "the Greeks, in inventing these two kinds of columns, imitated in the one the naked simplicity and dignity of man, and in the other the delicacy and ornaments of woman; the base of the Ionic was the imitation of sandals, and the volutes of ringlets."
In the evening, I had the pleasure of seeing that my bed had been prepared in the young man's chamber. Doctor Gennaro's family was composed of this son and of a daughter unfortunately very plain, of his wife and of two elderly, devout sisters. Amongst the guests at the supper-table I met several literary men, and the Marquis Galiani, who was at that time annotating Vitruvius.
Among the Romans portrait, decorative, and scene painting engrossed the art, much to the regret of such critics as Pliny and Vitruvius. Nothing could be in more execrable taste than a colossal painting of Nero, one hundred and twenty feet high. From the time of Augustus landscape decorations were common, and were carried out with every species of license.
The name Caryatides, by the way, meets us first in the pages of Vitruvius, a Roman architect of the time of Augustus; a contemporary Athenian inscription, to which we are indebted for many details concerning the building, calls them simply "maidens." The arms hung straight at the sides, one of them grasping a corner of the small mantle.
Vitruvius remarks and the coincidence is at least curious that the ancient temples were always ascended by an odd number of steps; and he assigns as the reason, that, commencing with the right foot at the bottom, the worshipper would find the same foot foremost when he entered the temple, which was considered as a fortunate omen.
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